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PARKETT #63 2001 Magazine PB Emin Blake Kentridge Schneider Contemporary Art VG
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PARKETT #63 2001 Magazine PB Emin Blake Kentridge Schneider Contemporary Art VG
US $9.99US $9.99
Jul 09, 20:56Jul 09, 20:56
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PARKETT #63 2001 Magazine PB Emin Blake Kentridge Schneider Contemporary Art VG

US $9.99
ApproximatelyRM 42.24
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Condition:
Very Good
Pre-owned, see photos for condition and read the description.
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    US $6.97 (approx RM 29.47) USPS Media MailTM.
    Located in: Portland, Oregon, United States
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    eBay item number:297429381449

    Item specifics

    Condition
    Very Good
    A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
    Seller Notes
    “Pre-owned, see photos for condition and read the description.”
    Book Series
    Parkett
    Narrative Type
    Nonfiction
    Original Language
    English
    Intended Audience
    Young Adults, Adults
    Vintage
    Yes
    Era
    2000s
    Country/Region of Manufacture
    Switzerland
    Unit Quantity
    1
    ISBN
    9783907582138

    About this product

    Product Identifiers

    Publisher
    Parkett Verlag A&G
    ISBN-10
    3907582136
    ISBN-13
    9783907582138
    eBay Product ID (ePID)
    2008658

    Product Key Features

    Book Title
    Parkett No. 63 Tracey Emin, William Kentridge, Gregor Schneider : Collaborations
    Number of Pages
    300 Pages
    Language
    English
    Publication Year
    2002
    Topic
    Criticism & Theory, General
    Illustrator
    Yes
    Genre
    Art
    Author
    William Kentridge
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    31.6 Oz
    Item Length
    10.1 in
    Item Width
    8.2 in

    Additional Product Features

    Intended Audience
    Trade
    Number of Volumes
    1 vol.
    Volume Number
    No. 63
    Synopsis
    Presenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue #63 features collaborations with Tracey Emin (Great Britain), William Kentridge (South Africa), and Gregor Schneider (Germany), three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, in her confessional multimedia photographs, drawings, videos, and installations. Kentridge's highly-charged films, drawings, sculptures, and theatrical productions analyze the history of his native South Africa and the implications and legacy of apartheid. And finally, Schneider's inside-out abodes turn the seemingly cozy and reassuring context of home into a haunting maze of opened and closed rooms, claustrophobic corridors and tunnels, and impenetrable windows and doors. Each of these artists draws us into their private worlds, diminishing the boundaries between artist and audience., Presenting unique and in-depth collaborations and editions with leading contemporary artists, Parkett has been the foremost international journal on contemporary art for nearly two decades. Issue No. 63 features collaborations with Tracey Emin, William Kentridge and Gregor Schneider, three artists whose highly personal works affect viewers in an evocative manner, yet through strikingly different means. Emin bares her soul from the inside out, in her confessional multimedia photographs, drawings, videos and installations. Kentridge's highly-charged films, drawings, sculptures and theatrical productions analyze the history of his native South Africa and the implications and legacy of apartheid. And finally, Schneider's inside-out abodes turn the seemingly cozy and reassuring context of "home" into a haunting maze of opened and closed rooms, claustrophobic corridors and tunnels, and impenetrable windows and doors. Each of these artists draws us into their private worlds, diminishing the boundaries between artist and audience.

    Item description from the seller

    About this seller

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