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Tasha Tell Me What You Miss the Most (Cassette)

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Condition:
Brand New
Price:
US $29.44
ApproximatelyRM 139.52
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Located in: 60502, United States
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Last updated on May 08, 2024 03:03:22 MYTView all revisionsView all revisions

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer’s sealing. Item is in ...
Title
Tell Me What You Miss the Most
EAN
0731946464969
Style
Singer/Songwriter
Release Date
12/03/2021
No Of Discs
1
MPN
FD103CS
UPC
0731946464969
Artist
Tasha
Format
Cassette
Release Year
2021
Record Label
Father/Daughter Rec, Fdrc
Release Title
Tell Me What You Miss the Most
Genre
Rock

About this product

Product Identifiers

Record Label
Father/Daughter Rec, Fdrc
UPC
0731946464969
eBay Product ID (ePID)
18049899236

Product Key Features

Release Year
2021
Format
Cassette
Genre
Rock
Artist
Tasha
Release Title
Tell Me What You Miss the Most

Dimensions

Item Height
0.65in
Item Weight
0.12lb.
Item Length
4.26in
Item Width
3.36in

Additional Product Features

Number of Tracks
10
Country/Region of Manufacture
United States
Tracks
1.1 Bed Song 1 1.2 History 1.3 Perfect Wife 1.4 Sorry's Not Enough 1.5 Love Interlude 1.6 Dream Still 1.7 Burton Island 1.8 Lake Superior 1.9 Year from Now 1.10 Bed Song 4
Number of Discs
1
Notes
Tasha's second album, Tell Me What You Miss The Most mingles pockets of introspection with wide, expansive, marveling at what's yet to come. Born and raised in Chicago, Illinois, Tasha is a musician who writes songs that take loving and longing seriously. Whether dwelling in the sad thrum of an impending break up or the dizzying, heart thumping waltz of new infatuation, here is an album that traces one artist's relationship to herself in love. Full of deep, invigorating inhales and relieved, joyful exhales, Tell Me What You Miss The Most is an exquisitely crafted breath of much needed air. "Won't you lay near me please / goodbyes aren't easy to swallow / Here take my heart for me / I don't need all this old sorrow" Tasha sings, her voice smooth and honeyed in the first track of the album "Bed Song 1." She stands on the brink of saying farewell to something once-sweet, the sentiment swirling into the slow-walking pace of the second track, "History," which wonders aloud "Was it me / Did I not prove to you how far I'd go". Still, the album refuses to stagnate, instead taking the listener on a whirl across a much-missed dance floor in "Perfect Wife," calling to mind the sheer pleasure and giddiness of dancing hand-in-hand with a pretty girl. "Perfect Wife" is also a track that demonstrates Tasha's musical versatility and showmanship, featuring a seamless, slightly retro chorus embroidered with the lilting chirrup of flutes as played by Vivian McConnell. Yes, Tell Me What You Miss the Most isn't just a catalogue of tenderness-it's also a showcase of Tasha's growing and formidable musicianship. "When I made Alone at Last, I had only been writing songs for two years. I hardly even knew what kind of song writer I was. But this record feels much stronger as far as a representation of my songwriter and musicianship," says Tasha, adding "I did feel like I was piloting it in a way that I haven't really felt before." Take the heady soprano whisper of "Sorry's Not Enough" that crests into the wave-crashing roll of dissonance propelled by Ashley Guerrero's insistent drumbeat. From it's attention to instrumentation, the clean strumming of guitars both acoustic and electric, to the steady stretch of Tasha's vocals across each verse and chorus, this is an album that follows an artist as she produces a sound all her own.In it's second half, the album becomes more spacious, peering with clear eyes toward a blue horizon threaded with a folk tinged, out-of-doors sound. Chimes recorded outside her grandfather's house twinkle on "Love Interlude." On "Burton Island," Tasha sings of "the sun's last song," asking "honey dance for a while, dance for a while." In fact, many of these songs seem to invite gentle dancing, the type of breezy bodily weaving one might engage in on a Saturday morning or a firefly-dotted summer night. These are swaying songs," Tasha says, extending an invitation to her listeners to rock back and forth, cradled by her music. "I was inspired by a distance I felt from myself," says Tasha of the album, "the writing was kind of born from this desire to get back to an intimacy, or honesty, with myself." Other inspirations include kissing, long drives in nature, her mother, and "winter and all that it allows (being alone inside, wrapped up in something warm, feeling things deeply.)" Her list of inspirations is a collection of types of touch; fleeting affectionate touch, the brush of a knit blanket, the bracing grip of feeling one's own skin twinned in a palm. So too does the album veer in and out of touch with Tasha herself, tracing tenderness and loneliness, the paradox of feeling held and utterly abandoned at once. As the album winds down, the feeling of a sun setting or a year ending begins to glow, as if Tell Me What You Miss The Most charts a path through the desolate starkness of a personal winter, the blossoming of an internal spring, the blaze of a heart's summer and then the golden dénouement of autumn. Regarding the

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