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Max Evans' Hi Lo Country: Under the One-Eyed S- 0826334520, Max Evans, hardcover

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eBay item number:295924669758
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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Artist
Evans, Max; Haley, Jan [Photographer]
ISBN
9780826334527
Book Title
Max Evans' Hi Lo Country : under the One-Eyed Sky
Publisher
University of New Mexico Press
Item Length
8.2 in
Publication Year
2004
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.7 in
Author
Max Evans
Genre
Travel, Référence, Photography
Topic
Individual Photographers / General, Quotations, United States / West / Mountain (Az, Co, Id, Mt, NM, Nv, Ut, WY)
Item Weight
31 Oz
Item Width
10.8 in
Number of Pages
140 Pages

About this product

Product Identifiers

Publisher
University of New Mexico Press
ISBN-10
0826334520
ISBN-13
9780826334527
eBay Product ID (ePID)
30540997

Product Key Features

Book Title
Max Evans' Hi Lo Country : under the One-Eyed Sky
Number of Pages
140 Pages
Language
English
Publication Year
2004
Topic
Individual Photographers / General, Quotations, United States / West / Mountain (Az, Co, Id, Mt, NM, Nv, Ut, WY)
Illustrator
Yes
Genre
Travel, Référence, Photography
Author
Max Evans
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
31 Oz
Item Length
8.2 in
Item Width
10.8 in

Additional Product Features

Intended Audience
Trade
LCCN
2004-006002
Dewey Edition
22
Photographed by
Haley, Jan
Dewey Decimal
917.89
Synopsis
The northeastern quadrant of New Mexico, with a slice of Colorado, Oklahoma, and West Texas, is the area Max Evans has dubbed the Hi Lo Country. He bought a ranch there when he was seventeen, he painted it as a young artist, and has used the land as the setting for most of his well-known writings. His novels The Rounders and The Hi Lo Country were made into Hollywood movies. Jan Haley is also from the heart of Hi Lo Country, where she has documented in her photography the vanishing homesteads and ranches in this region anchored by four mountains: Eagle Tail, Sierra Grande, Capulin, and Rabbit Ears. Her pictures of the spectacular landscapes of northeast New Mexico will enthrall not just fans of Max Evans but anyone who wants to see the True West that still exists within a day's drive of the big cities that are now the population centers of the country. The Max Evans text written specifically for this book is in his unmatched storytelling style and full of entertaining anecdotes. His writing is rich in heartfelt emotion and, coupled with Haley's photos, is a tribute to a neglected part of the world we can now treasure forever. "Jan Haley's photographs show a place where the people were so tough the Depression felt right at home, and it never left. The rusting 1950 purple Hudson still sits on blocks where the owner left it, imagining shiny renovation someday. . . . Winds so strong, it seemed the outhouse blew over, and is still horizontal. . . . And many an old ranchhouse . . . lean[s] abandoned in the wind."--Richard Benke, Associated Press reporter and author of The Ghost Ocean (UNM Press), The Max Evans's Hi Lo region, encompassing parts of New Mexico, Colorado, and the Texas Panhandle, is vividly documented in Jan Haley's dramatic photographs., The northeastern quadrant of New Mexico, with a slice of Colorado, Oklahoma, and West Texas, is the area Max Evans has dubbed the Hi Lo Country. He bought a ranch there when he was seventeen, he painted it as a young artist, and has used the land as the setting for most of his well-known writings. His novels The Rounders and The Hi Lo Country were made into Hollywood movies. Jan Haley is also from the heart of Hi Lo Country, where she has documented in her photography the vanishing homesteads and ranches in this region anchored by four mountains: Eagle Tail, Sierra Grande, Capulin, and Rabbit Ears. Her pictures of the spectacular landscapes of northeast New Mexico will enthrall not just fans of Max Evans but anyone who wants to see the True West that still exists within a day's drive of the big cities that are now the population centers of the country. The Max Evans text written specifically for this book is in his unmatched storytelling style and full of entertaining anecdotes. His writing is rich in heartfelt emotion and, coupled with Haley's photos, is a tribute to a neglected part of the world we can now treasure forever. Jan Haley's photographs show a place where the people were so tough the Depression felt right at home, and it never left. The rusting 1950 purple Hudson still sits on blocks where the owner left it, imagining shiny renovation someday. . . . Winds so strong, it seemed the outhouse blew over, and is still horizontal. . . . And many an old ranchhouse . . . lean s] abandoned in the wind.--Richard Benke, Associated Press reporter and author of The Ghost Ocean (UNM Press), The northeastern quadrant of New Mexico, with a slice of Colorado, Oklahoma, and West Texas, is the area Max Evans has dubbed the Hi Lo Country. He bought a ranch there when he was seventeen, he painted it as a young artist, and has used the land as the setting for most of his well-known writings. His novels The Rounders and The Hi Lo Country were made into Hollywood movies. Jan Haley is also from the heart of Hi Lo Country, where she has documented in her photography the vanishing homesteads and ranches in this region anchored by four mountains: Eagle Tail, Sierra Grande, Capulin, and Rabbit Ears. Her pictures of the spectacular landscapes of northeast New Mexico will enthrall not just fans of Max Evans but anyone who wants to see the True West that still exists within a day's drive of the big cities that are now the population centers of the country. The Max Evans text written specifically for this book is in his unmatched storytelling style and full of entertaining anecdotes. His writing is rich in heartfelt emotion and, coupled with Haley's photos, is a tribute to a neglected part of the world we can now treasure forever. "Jan Haley's photographs show a place where the people were so tough the Depression felt right at home, and it never left. The rusting 1950 purple Hudson still sits on blocks where the owner left it, imagining shiny renovation someday. . . . Winds so strong, it seemed the outhouse blew over, and is still horizontal. . . . And many an old ranchhouse . . . lean s] abandoned in the wind."--Richard Benke, Associated Press reporter and author of The Ghost Ocean (UNM Press)
LC Classification Number
F797.H345 2004

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