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My Week Beats Your Year: Encounters With Lou Reed Hardcover Michael Heath LikeNu

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eBay item number:286614246213

Item specifics

Condition
Like New: A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is ...
ISBN
9780996744775

About this product

Product Identifiers

Publisher
HaT & Beard, LLC
ISBN-10
0996744770
ISBN-13
9780996744775
eBay Product ID (ePID)
12038538011

Product Key Features

Book Title
My Week Beats Your Year : Encounters with Lou Reed
Number of Pages
300 Pages
Language
English
Publication Year
2019
Topic
General
Genre
Music
Author
Michael Heath
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
28.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Compiled by
Heath, Michael
Synopsis
Hardcover, 304 pages 6 × 9 in. 15.24 × 22.86 cm. During his first major sit-down with the music press in 1977, between claiming all his songs were about guilt and revenge, Elvis Costello casually remarked, "I don't really listen to Lou Reed's records, but I never miss an interview with him." Indeed, for all his publicly expressed loathing of the press in general and music journalists in particular, during his long career as a rock artist, Lou Reed was never less than entertaining in his dealings with the Fourth Estate. In fact, one could go so far as to claim that, for Lou, the press became as much an implement of expression as singing, composing, and playing music. In a style at times very much informed by his mentor Andy Warhol, Reed could play the media like a Marshall-amped Stradivarius. To the majority of his fans, the apotheosis of Reed's relationship with the press, and most prominently regarded to this day, was the series of combative tête-à-têtes between Lou and the late great music journalist Lester Bangs, published in CREEM Magazine during the 1970s. My Week Beats Your Year: Encounters with Lou Reed features 30+ interviews spanning his solo career, from the golden era of print rock-journalism, to the first online blogs. The compilation is one fan's humble attempt to move beyond the Bangs canon, and delve deeper into the distance and intimacy, cactus and mercury, that constituted Lou's post-Velvet Underground public media image. This anthology will be an intimate portrait of Reed who, in addition to being notoriously prickly (to put it mildly), was also intelligent, articulate, and deeply passionate about what was important to him, both as a person and as a creative artist. Edited and with texts by Pat Thomas Compiled by Michael Heath Foreword by Luc Sante Designed by Philippe Karrer Cover photograph by Mick Rock Hat & Beard Press #13, An anthology that uses Reed's own words to craft an intimate portrait of the prickly, intelligent, articulate, and deeply passionate artist. During his first major sit-down with the music press in 1977, betweenclaiming all his songs were about guilt and revenge, Elvis Costellocasually remarked, "I don't really listen to Lou Reed's records, but Inever miss an interview with him." Indeed, for all his publicly expressed loathing of the press ingeneral and music journalists in particular, during his long career as arock artist, Lou Reed was never less than entertaining in his dealingswith the Fourth Estate. In fact, one could go so far as to claim that,for Lou, the press became as much an implement of expression as singing,composing, and playing music. In a style at times very much informed byhis mentor Andy Warhol, Reed could play the media like a Marshall-ampedStradivarius. To the majority of his fans, the apotheosis of Reed's relationshipwith the press, and most prominently regarded to this day, was theseries of combative tête-à-têtes between Lou and the late great musicjournalist Lester Bangs, published in CREEM Magazine during the 1970s. My Week Beats Your Year: Encounters with Lou Reed features 30+interviews spanning his solo career, from the golden era of printrock-journalism, to the first online blogs. The compilation is one fan'shumble attempt to move beyond the Bangs canon, and delve deeper intothe distance and intimacy, cactus and mercury, that constituted Lou'spost-Velvet Underground public media image.

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