Prison Movies: Cinema Behind Bars by Kevin Kehrwald: New

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Book Title
Prison Movies: Cinema Behind Bars
Publication Date
2017-02-14
Pages
144
ISBN
9780231181143
Category

About this product

Product Identifiers

Publisher
WallFlower Jeans Press
ISBN-10
0231181140
ISBN-13
9780231181143
eBay Product ID (ePID)
224333411

Product Key Features

Number of Pages
144 Pages
Publication Name
Prison Movies : Cinema Behind Bars
Language
English
Publication Year
2017
Subject
Film / General, Film / Guides & Reviews, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Author
Kevin Kehrwald
Series
Short Cuts Ser.
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
10 Oz
Item Length
0.8 in
Item Width
0.6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2016-288477
Grade From
College Graduate Student
Illustrated
Yes
Table Of Content
Acknowledgements Introduction: After the Crime is Over 1. Prison Films of Pre-Code Hollywood: Big Houses, Death Houses and Chain Gangs 2. Women's Prison Films of the 1950s and Early 1960s 3. Identity and Violence in Popular Prison Films from the 1960s to the 1990s Afterword: Post-9/11 Prison Movies and the Era of Mass Incarceration Bibliography Index
Synopsis
Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. Films examined include The Big House (1930), I Want to Live! (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994), and Starred Up (2013)., Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present., Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. Films examined include The Big House (1930), I Want to Live (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994), and Starred Up (2013).
LC Classification Number
PN1995.9.P68K44 2017

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