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Seeing Faith, Printing Pictures Religious Identity Eng. Reformation by D J Davis
US $89.99
ApproximatelyRM 381.90
Condition:
“Very good condition HC with DJ, little or no marking.”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:284015516518
Item specifics
- Condition
- Very Good
- Seller Notes
- “Very good condition HC with DJ, little or no marking.”
- Topic
- Reformation
- Subject
- Religious
- ISBN
- 9789004236011
About this product
Product Identifiers
Publisher
Brill
ISBN-10
9004236015
ISBN-13
9789004236011
eBay Product ID (ePID)
203498411
Product Key Features
Number of Pages
260 Pages
Publication Name
Seeing Faith, Printing Pictures: Religious Identity During the English Reformation : Religious Identity During the English Reformation
Language
English
Subject
General, Europe / Great Britain / General, History, Europe / Ireland, Graphic Arts / Illustration, Christianity / Literature & the Arts
Publication Year
2013
Type
Textbook
Subject Area
Design, Religion, History
Series
Library of the Written Word / Library of the Written Word-The Handpress World Ser.
Format
Hardcover
Dimensions
Item Weight
19.8 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2012-036679
Dewey Edition
23
Reviews
"Davis has written an excellent book, dealing with a subject full of pitfalls with care and obvious academic integrity."Andrew A. Chibi, England. In: Sixteenth Century Journal , Vol. 44, No. 4 (2013), pp. 1078-1080.
Series Volume Number
25
Illustrated
Yes
Dewey Decimal
246.094209031
Table Of Content
List of Illustrations Acknowledgements List of Abbreviations Introduction: Images and Early Modern Religious Identity Religious Identity and the English Reformation(s) Studying Early Modern Printed Images Seeing Faith, Reading Images Sources and Chapters Chapter 1: Material Religion: The Image in Early Modern Print The Public Sphere and Commodification Censorship and Religious Identity English Printed Images: A European Tradition Moving Images in the Marketplace Conclusion Chapter 2: Printed Images and the Reformation in England Iconoclasm and Protestant Adiaphora Reformed Theology and Boundaries of Acceptability Theodore Beze and Peter Martyr Vermigli William Perkins The Catholic Opposition Translation and Mistranslations Protestant Hypocrisy Conclusion Chapter 3: Christ, the Virgin, and the Catholic Tradition of Printed Images Catholic Primers and English Protestantism Catholic Printers in Reformation England Images of the Virgin Images of Christ and the Catholic Community Conclusion Chapter 4: Representations of Christ: Reforming the Imitatio Christi Protestants and the God-Man From Corpus Christi to Christ Displayed Protestant Identity and the Imitatio Christi The Suffering Christ: Meditation and Imitation Seeing the End: Resurrection and Judgment Conclusion Chapter 5: Seeing God: Protestant Visions of the Father Traditional Images and Recycled Prints God in Illustrated Bibles The Exception of Divine Visions God at Creation Conclusion Chapter 6: Reforming the Deity: Symbolic Pictures of God Continuity and Change A Reformed Icon?: Symbols of God The Devotional Image Conclusion Conclusion Appendix Bibliography
Synopsis
This book offers a unique analysis of visual religion in Reformation England as seen in its religious printed images. Challenging traditional notions of an iconoclastic Reformation, it offers a thorough analysis of the widespread body of printed images and the ways the images gave shape to the religious culture., Scholarship on religious printed images during the English Reformation (1535-1603) has generally focused on a few illustrated works and has portrayed this period in England as a predominantly non-visual religious culture. The combination of iconoclasm and Calvinist doctrine have led to a misunderstanding as to the unique ways that English Protestants used religious printed images. Building on recent work in the history of the book and print studies, this book analyzes the widespread body of religious illustration, such as images of God the Father and Christ, in Reformation England, assessing what religious beliefs they communicated and how their use evolved during the period. The result is a unique analysis of how the Reformation in England both destroyed certain aspects of traditional imagery as well as embraced and reformulated others into expressions of its own character and identity.
LC Classification Number
BV153.G7D38 2012
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