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Dancing Suite to Suite - Audio CD By Karen Bentley -GOOD

US $9.99
ApproximatelyRM 42.46
or Best Offer
Condition:
Good
Pre-owned in good condition.
Breathe easy. Returns accepted.
Shipping:
US $4.47 (approx RM 19.00) USPS Media MailTM.
Located in: Saint Ignace, Michigan, United States
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Estimated between Thu, 17 Jul and Tue, 22 Jul to 94104
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eBay item number:276820002217
Last updated on Mar 15, 2025 01:05:37 MYTView all revisionsView all revisions

Item specifics

Condition
Good
An item in used but good condition. May have minor damage to jewel case including scuffs or cracks, or to the item cover including scuffs, scratches, or cracks. The cover art and liner notes are included for a CD. VHS or DVD box is included. Video game instructions are included. No skipping on CD/DVD. No fuzzy/snowy frames on VHS tape. See all condition definitionsopens in a new window or tab
Seller Notes
“Pre-owned in good condition.”
Brand
Unbranded
CD Grading
Very Good (VG)
Type
Album
Occasion
Casual Listening
Case Type
Jewel Case: Standard
Color
Multicolor
Style
Suite
Case Condition
Very Good (VG)
MPN
Does not apply
Inlay Condition
Very Good (VG)
UPC
0783707522722

About this product

Product Identifiers

Record Label
CD Baby, Cdb
UPC
0783707522722
eBay Product ID (ePID)
6046069366

Product Key Features

Format
CD
Release Year
2002
Genre
Latin Pop/Rock
Artist
Karen Bentley
Release Title
Dancing Suite to Suite

Dimensions

Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Tracks
12
Number of Discs
1
Tracks
Flamenco Alojera, Ziga Dance, Rhumba de la Luna, Jig for Alan, Redhaired Tango, Salsa for Karen, Allemanda, Corrente, Sarabanda, Giga, Ciaccona, Fanitullen
Notes
Dancing Suite to Suite Dancing Suite to Suite is the fruition of the search for roots musical and genealogical. I first set foot on my ancestral land of Norway in July 1998. Landing in Oslo, I was greeted by my cousin Jens Moe who whisked me straight away to Telemark to meet the hardangerfele player Tarjei Romtveit at his bucolic home in Vijne where we fiddled for most of the afternoon. Lodgings were in a hytte with a sod roof by a rolling stream in Mjonoy where we resumed the fiddlefest the following day. I had been yearning for a hardangerfele lesson since my childhood, intrigued by the intricately inlaid Norwegian violin with five sympathetically vibrating strings underneath the bridge. Tarjei taught me his favorite tunes, which I preserved on DAT tape for future practice sessions. Jens and I searched for Noekken and other trolls during our midnight hikes in the rustic forest. After several days in Oslo, I made the pilgrimage to the family island near Kragero where I met more cousins, and slept in the same bed as my great uncle Tillman Breiseth had years ago while on vacation from teaching Ibsen at the University of Oslo. I gathered enough Nordic inspiration for the trek to Denmark where I was engaged to play several solo violin recitals at Klint, a community which gathers each summer to study the writings of the Danish cosmologist Martinus. I played the concerts at Klint for an enthusiastic audience. After the second concert, Ole Saxe invited me to jam with him on drums and piano on any evening after dinner, but I was far too interested in hiking along the coast of Nykoebing Sjaelland at midnight. So our musicmaking did not begin until I received the gift of the score Salsa for Karen in September 1998. The notes leapt off the page, demanding idiomatic interpretation. I learned the gem in a week and it quickly became a staple of my repertoire as an encore, or by adding Nigerian clay pot (udu) played by Ian Dogole during our duo recitals. I was elated to have such a dynamic piece in my arsenal. Following the suggestions of a friend, I requested an entire suite from Ole Saxe based on the model established by Johann Sebastian Bach: multinational dances related by key comprising an organic whole. Within several weeks Jig for Alan appeared as a gif file on my computer. Then followed the Ziga Dance, Rhumba de la Luna, Redhaired Tango, and finally the Flamenco Alojera, all composed by the end of March 2000. These dances reflect Ole's background in folk themes and rhythms and are vivacious and intoxicating to practice and perform. We finally premiered the Dance Suite in it's entirety in Palo Alto, California on December 8, 2000 at 8:45 pm, following a performance of Bach's D minor Partita. Ole was present for the premiere and the subsequent performance at Anna and Frank Pope's ballroom in San Francisco. We were further encouraged by a grant from the Community Foundation of Silicon Valley as well as Maestro Eric Kujawsky requesting Ole to orchestrate the Dance Suite for a performance with the Redwood Symphony in April 2002. On October 23 and 24, 2001 we recorded Dancing Suite to Suite at Skywalker Ranch. We added Odd Bakkerud's epic hardangerfele tune Fanitullen as a spice to this recording which celebrates the joy released by the chance encounters that led to this Swedish American collaboration. It is purported in Scandinavian mythology that a fiddler must spend time in the water to achieve excellence and inspiration. The cover photo represents a fiddler seated on a rock in a stream at the base of Mount Shasta, absorbing fluidity and virtuosity from Noekken the water spirit. Karen Bentley Dance Suite for Solo Violin, by Ole Pullar Saxe Salsa for Karen, dedicated to my special violin muse, is the origin of the whole suite. From a concert in Klint in Denmark, where Karen played part of the Sibelius Violin Concerto, as well as the Flight of the Bumblebee by Rimsky-Korsakov, came the idea to write a salsa, especially for Kare

Item description from the seller

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Podunk Picks

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A lifelong picker of useful, unique, vintage and some odd items for collectors, everyday people and those who just want something different. I search the back roads, urban and rural America for great ...
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