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KEIICHI TANAAMI: KILLER JOE'S EARLY TIMES 1965-73:Nils Olsen & Fredi Fischli/NF
US $65.00
ApproximatelyRM 274.90
Condition:
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Bronx, New York, United States
Delivery:
Estimated between Thu, 11 Sep and Tue, 16 Sep to 94104
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Coverage:
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eBay item number:267394120902
Item specifics
- Condition
- Type
- Hardcover
- Publication Name
- Walther König, Köln
- ISBN-10
- 3863353560
- ISBN
- 9783863353568
About this product
Product Identifiers
Publisher
Verlag Der Buchhandlung Walther König
ISBN-10
3863353560
ISBN-13
9783863353568
eBay Product ID (ePID)
170141405
Product Key Features
Book Title
Keiichi Tanaami: Killer Joe's Early Times 1965-73 : Catalogue Raisonné
Number of Pages
350 Pages
Language
English
Publication Year
2014
Topic
Asian / General, Asian / Japanese, Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
52.1 Oz
Item Length
11.9 in
Item Width
8.6 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
709.2
Synopsis
Keiichi Tanaami (born 1936) was a protagonist of Japan's postwar avant-garde, and one of the first Japanese artists to successfully blend art and commerce. Tanaami's artwork was appearing in advertisements and magazines as early as 1962, when American Pop art was still in the ascendant. A trip to New York in 1968 provided a transformative encounter with Andy Warhol, which encouraged Tanaami to pursue several paths at once, and he was soon producing poster designs, happenings, prints and album covers, developing an assured, erotic psychedelic style populated with butterfly women, chimneys and breasts (a meeting with Robert Crumb and an appreciation of American underground comics was also significant). Including collage, painting, silkscreen prints and animation, this volume constitutes a catalogue raisonn of Tanaami's early work of the 60s and 70s. It includes his illustrations for the magazine Shosetsu-gendai , drawings and collages for Art Journal , album covers for the Monkees and Jefferson Airplane, stills from an animation series made for the film festival at Sogetsu Art Center, anti-Vietnam War silkscreen prints and painting series of Hollywood actresses., Keiichi Tanaami (born 1936) was a protagonist of Japan's postwar avant-garde, and one of the first Japanese artists to successfully blend art and commerce. Tanaami's artwork was appearing in advertisements and magazines as early as 1962, when American Pop art was still in the ascendant. A trip to New York in 1968 provided a transformative encounter with Andy Warhol, which encouraged Tanaami to pursue several paths at once, and he was soon producing poster designs, happenings, prints and album covers, developing an assured, erotic psychedelic style populated with butterfly women, chimneys and breasts (a meeting with Robert Crumb and an appreciation of American underground comics was also significant). Including collage, painting, silkscreen prints and animation, this volume constitutes a catalogue raisonné of Tanaami's early work of the 60s and 70s. It includes his illustrations for the magazine Shosetsu-gendai , drawings and collages for Art Journal , album covers for the Monkees and Jefferson Airplane, stills from an animation series made for the film festival at Sogetsu Art Center, anti-Vietnam War silkscreen prints and painting series of Hollywood actresses.
LC Classification Number
N7359.T3
Text by
Fischli, Fredi, Olsen, Nils
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