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ITALIAN FUTURISM, 1909-1944: RECONSTRUCTING THE UNIVERSE / NEAR FINE/HARDCOVER
US $65.00
ApproximatelyRM 274.20
Condition:
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Bronx, New York, United States
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Estimated between Fri, 12 Sep and Wed, 17 Sep to 94104
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eBay item number:267369113937
Item specifics
- Condition
- Type
- Art History
- Publication Name
- Guggenheim Museum (March 31, 2014)
- Narrative Type
- Nonfiction
- ISBN-10
- 0892075120
- ISBN
- 9780892074990
About this product
Product Identifiers
Publisher
Guggenheim Museum, Solomon R.
ISBN-10
089207499X
ISBN-13
9780892074990
eBay Product ID (ePID)
4038659718
Product Key Features
Book Title
Italian Futurism, 1909-1944 : Reconstructing the Universe
Number of Pages
352 Pages
Language
English
Publication Year
2014
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / General, European
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
67.3 Oz
Item Length
11.8 in
Item Width
8.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2022-507019
Dewey Edition
23
Reviews
An enormous exhibition of the Italian Futurist movement occupies the snail-shell of the Guggenheim Museum this spring and summer. The Futurists were dedicated to motion--but not the meditative pace that Frank Lloyd Wright's ramp imposes on the viewer; more the revving of a Lamborghini, or better yet a Ducati motorcycle, relentlessly powering up, up, up and away, its engine knocking, spewing exhaust, mowing down everything in its path. The Futurists believed in the machine, in making a great big fuss, in being young. For a brief moment, they were arguably the most influential aesthetic provocateurs in the world., Italian Futurism was one of the most dynamic, controversial and unpredictable movements in early modern art. The artists of Futurism celebrated the revolutionary furor and breakneck technological pace of life in the nascent 20th century, embracing its contradictions and its frequent descents into violence. This expansive overview is the first undertaking of its kind in the United States, and should prove an eyeopener., An enormous exhibition of the Italian Futurist movement occupies the snail-shell of the Guggenheim Museum this spring and summer. The Futurists were dedicated to motion-but not the meditative pace that Frank Lloyd Wright's ramp imposes on the viewer; more the revving of a Lamborghini, or better yet a Ducati motorcycle, relentlessly powering up, up, up and away, its engine knocking, spewing exhaust, mowing down everything in its path. The Futurists believed in the machine, in making a great big fuss, in being young. For a brief moment, they were arguably the most influential aesthetic provocateurs in the world., 'Italian Futurism, 1909-1944: Reconstructing the Universe' aims to examine paintings and sculptures that have long been recognized as modernist masterpieces alongside works of architecture, design and pure public spectacle that fueled the dream of a total Futurist art., 'Italian Futurism, 1909-44: Reconstructing the Universe' traces the history of the multidisciplinary movement, which celebrated all things fast, robust and mechanical, from its founding manifesto in 1909 to its end after the Second World War., The Italian Futurists saw themselves as soldiers of speed and mechanics, fighting in the name of progress., An enormous exhibition of the Italian Futurist movement occupies the snail-shell of the Guggenheim Museum this spring and summer. The Futurists were dedicated to motion but not the meditative pace that Frank Lloyd Wright s ramp imposes on the viewer; more the revving of a Lamborghini, or better yet a Ducati motorcycle, relentlessly powering up, up, up and away, its engine knocking, spewing exhaust, mowing down everything in its path. The Futurists believed in the machine, in making a great big fuss, in being young. For a brief moment, they were arguably the most influential aesthetic provocateurs in the world.
Dewey Decimal
709.04/033
Synopsis
Published to accompany the exhibition Italian Futurism, 1909 1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. As part of the first comprehensive overview of Italian Futurism to be presented in the United States, this publication examines the historical sweep of Futurism from its inception with F.T. Marinetti s manifesto in 1909 through the movement s demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance. A wealth of scholarly essays discuss Italian Futurism s diverse themes and incarnations., Published to accompany the exhibition Italian Futurism, 1909-1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. As part of the first comprehensive overview of Italian Futurism to be presented in the United States, this publication examines the historical sweep of Futurism from its inception with F.T. Marinetti's manifesto in 1909 through the movement's demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Ros , Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance. A wealth of scholarly essays discuss Italian Futurism's diverse themes and incarnations., Published to accompany the exhibition Italian Futurism, 1909-1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue will advance the scholarship and understanding of this influential yet little known twentieth-century artistic movement. As part of the first comprehensive overview of Italian Futurism to be presented in the United States, the multidisciplinary publication examines the historical sweep of the movement from its inception with F. T. Marinetti's Futurist manifesto in 1909 to its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theatre and performance., Published to accompany the exhibition Italian Futurism, 1909-1944: Reconstructing the Universe opening at the Solomon R. Guggenheim Museum in 2014, this catalogue considerably advances the scholarship and understanding of an influential yet little-known twentieth- century artistic movement. As part of the first comprehensive overview of Italian Futurism to be presented in the United States, this publication examines the historical sweep of Futurism from its inception with F.T. Marinetti's manifesto in 1909 through the movement's demise at the end of World War II. Presenting over 300 works created between 1909 and 1944, by artists, writers, designers and composers such as Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Fortunato Depero, Gerardo Dottori, Marinetti, Ivo Pannaggi, Rosa Rosà, Luigi Russolo, Tato and many others, this publication encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater and performance. A wealth of scholarly essays discuss Italian Futurism's diverse themes and incarnations.
LC Classification Number
N6918.5.F8
Text by
Barisione, Silvia, Braun, Emily, Adamson, Walter, Gentile, Emilio.
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