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Anne Collier / Photography / MCA Chicago /HB
US $14.99
ApproximatelyRM 63.40
Condition:
“Dust jacket has some crimping at corners from light water damage; small water stain on boards (see ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Free USPS Media MailTM.
Located in: Chicago, Illinois, United States
Delivery:
Estimated between Fri, 12 Sep and Thu, 18 Sep to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:267365033212
Item specifics
- Condition
- Good
- Seller Notes
- Artist
- various
- Brand
- N/A
- Type
- Hardback
- EAN
- 9781938922527
- ISBN
- 1938922522
- Publication Name
- N/A
- Release Title
- Anne Collier
- Colour
- N/A
About this product
Product Identifiers
Publisher
D.A.P./Distributed Art Publishers
ISBN-10
1938922522
ISBN-13
9781938922527
eBay Product ID (ePID)
242514139
Product Key Features
Book Title
Anne Collier
Number of Pages
116 Pages
Language
English
Topic
Individual Photographers / Monographs
Publication Year
2014
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
36.1 Oz
Item Length
10.3 in
Item Width
10.2 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
779.092
Synopsis
New York-based conceptual photographer Anne Collier (born 1970) creates neutral images of objects that already exist in the world, often charged with undercurrents of emotional complexity and vulnerability. Her work deftly addresses subjects inherent to both the act and industry of photography while simultaneously lampooning clich s and uncovering hidden truths. Describing Collier's work in Frieze magazine, the acclaimed author and critic Brian Dillon wrote, "Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance." This volume, part of the MCA Monograph series, accompanies the first major solo US exhibition of Collier's work. Alongside a selection of color plates, Michael Darling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the exhibition within the context of the artist's career; Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno considers the fragments of lost objects and what it means to collect., "Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance." --Brian Dillon, Frieze New York-based conceptual photographer Anne Collier (born 1970) creates neutral images of objects that already exist in the world, often charged with undercurrents of emotional complexity and vulnerability. Her work deftly addresses subjects inherent to both the act and industry of photography while simultaneously lampooning clichés and uncovering hidden truths. Describing Collier's work in Frieze magazine, the acclaimed author and critic Brian Dillon wrote, "Collier uncouples the machinery of appropriation so that her found images seem weightless, holding their obvious meaning in abeyance." This volume, part of the MCA Monograph series, accompanies the first major solo US exhibition of Collier's work. Alongside a selection of color plates, Michael Darling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the exhibition within the context of the artist's career; Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno considers the fragments of lost objects and what it means to collect.
Text by
Zambreno, Kate, Darling, Michael, Iles, Chrissie
Item description from the seller
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