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John Ashbery and You : His Later Books by John Emil Vincent (2007, Hardcover)
US $29.99
ApproximatelyRM 128.80
Condition:
“Book is in very good condition. Dustjacket has some light wear along edges. The inside is clean, ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Shipping:
US $5.49 (approx RM 23.58) USPS Media MailTM.
Located in: Farmingville, New York, United States
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Estimated between Fri, 27 Jun and Tue, 1 Jul to 94104
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eBay item number:267288881353
Item specifics
- Condition
- Very Good
- Seller Notes
- Country/Region of Manufacture
- United States
- ISBN
- 9780820329734
About this product
Product Identifiers
Publisher
University of Georgia Press
ISBN-10
0820329738
ISBN-13
9780820329734
eBay Product ID (ePID)
59065161
Product Key Features
Number of Pages
208 Pages
Publication Name
John Ashbery and You : His Later Books
Language
English
Subject
Poetry
Publication Year
2007
Type
Textbook
Subject Area
Literary Criticism
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
15.2 Oz
Item Length
9.1 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2007-006703
Dewey Edition
22
Reviews
"Of all [the recent] studies of Ashbery, Vincent's is the least weighed down by scholarly apparatus; accordingly, one can enjoy reading his close, careful analyses of individual poems."--Choice, " John Ashbery and You makes a significant contribution to modernist studies, literary criticism, and queer theory. Vincent's scholarship is impressive and on a level with related work by Helen Vendler and Lee Edelman."--Kevin Kopelson, author of Love's Litany: The Writing of Modern Homoerotics, "Vincent is a wonderful guide to Ashbery's work; he has read the books over and again, and his own style often resembles Ashbery's, ranging from high academic discourse to slang, from poetic to prosaic diction. This is an ambitious work, moving as it does in several directions, and it is eminently readable."--Susan M. Schultz, author ofA Poetics of Impasse in Modern and Contemporary American Poetry, "Vincent is a wonderful guide to Ashbery's work; he has read the books over and again, and his own style often resembles Ashbery's, ranging from high academic discourse to slang, from poetic to prosaic diction. This is an ambitious work, moving as it does in several directions, and it is eminently readable."--Susan M. Schultz, author of A Poetics of Impasse in Modern and Contemporary American Poetry, Vincent is a wonderful guide to Ashbery's work; he has read the books over and again, and his own style often resembles Ashbery's, ranging from high academic discourse to slang, from poetic to prosaic diction. This is an ambitious work, moving as it does in several directions, and it is eminently readable., Of all [the recent] studies of Ashbery, Vincent's is the least weighed down by scholarly apparatus; accordingly, one can enjoy reading his close, careful analyses of individual poems., John Ashbery and You makes a significant contribution to modernist studies, literary criticism, and queer theory. Vincent's scholarship is impressive and on a level with related work by Helen Vendler and Lee Edelman., "John Ashbery and Youmakes a significant contribution to modernist studies, literary criticism, and queer theory. Vincent's scholarship is impressive and on a level with related work by Helen Vendler and Lee Edelman."--Kevin Kopelson, author ofLove's Litany: The Writing of Modern Homoerotics, "Of all [the recent studies of Ashbery, Vincent's is the least weighed down by scholarly apparatus; accordingly, one can enjoy reading his close, careful analyses of individual poems."-- Choice, "Of all [the recent] studies of Ashbery, Vincent's is the least weighed down by scholarly apparatus; accordingly, one can enjoy reading his close, careful analyses of individual poems."-- Choice
Dewey Decimal
811/.54
Synopsis
By showing us that the entry point to Ashbery is not any given individual poem within a volume, but the entire volume, Vincent gives us a new and productive approach to reading the recent work of one of our most challenging poets., John Ashbery and You approaches Ashbery's critically neglected recent poetry with an ear to his use of the supremely elastic pronoun ?you? and an eye toward his construction of his books as books. Together, these devices produce effects new to Ashbery's oeuvre and offer readers new ways ?in? to his work. John Ashbery and You argues that starting with April Galleons (1987), and reaching an apex in Your Name Here (2000), the poet has been paying increasingly keen and affectionate attention to his readers. Vincent tracks these techniques but above all offers his readers tools to reapproach a dauntingly difficult body of work. Some critics have suggested that Ashbery is producing books too quickly for criticism to keep up or that the later books represent, as Vincent summarizes it, ?a kind of logorrhea . . . and therefore don't really register as separate events as much as episodic eruptions of one big volcano which is the Later Ashbery.? Vincent contends that critics are not keeping up with Ashbery not so much because it is all of a piece, but rather because his work varies so much from volume to volume. Each of the volumes from the latter part of Ashbery's career represents an individual and different poetic project, depending precisely on the unit of the book to produce its effects. By showing us that the entry point to Ashbery is not any given individual poem within a volume, but the entire volume, Vincent gives us a new and productive approach to reading the recent work of one of our most challenging poets., John Ashbery and You approaches Ashbery's critically neglected recent poetry with an ear to his use of the supremely elastic pronoun "you" and an eye toward his construction of his books as books. Together, these devices produce effects new to Ashbery's oeuvre and offer readers new ways "in" to his work. John Ashbery and You argues that starting with April Galleons (1987), and reaching an apex in Your Name Here (2000), the poet has been paying increasingly keen and affectionate attention to his readers. Vincent tracks these techniques but above all offers his readers tools to reapproach a dauntingly difficult body of work. Some critics have suggested that Ashbery is producing books too quickly for criticism to keep up or that the later books represent, as Vincent summarizes it, "a kind of logorrhea . . . and therefore don't really register as separate events as much as episodic eruptions of one big volcano which is the Later Ashbery." Vincent contends that critics are not keeping up with Ashbery not so much because it is all of a piece, but rather because his work varies so much from volume to volume. Each of the volumes from the latter part of Ashbery's career represents an individual and different poetic project, depending precisely on the unit of the book to produce its effects. By showing us that the entry point to Ashbery is not any given individual poem within a volume, but the entire volume, Vincent gives us a new and productive approach to reading the recent work of one of our most challenging poets.
LC Classification Number
PS3501.S475Z94 2007
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