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Rethinking Sincerity and Authenticity: The Ethics of Theatricalit

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Binding
Hardcover
Book Title
Rethinking Sincerity and Authenticity: The Ethics of Theatricalit
ISBN
9780813940151

About this product

Product Identifiers

Publisher
University of Virginia Press
ISBN-10
081394015X
ISBN-13
9780813940151
eBay Product ID (ePID)
21038840208

Product Key Features

Number of Pages
296 Pages
Language
English
Publication Name
Rethinking Sincerity and Authenticity : The Ethics of Theatricality in Kant, Kierkegaard, and Levinas
Publication Year
2017
Subject
Theater / General, Individual Philosophers, General, Philosophy
Type
Textbook
Author
Howard Pickett
Subject Area
Religion, Philosophy, Performing Arts, Business & Economics
Series
Studies in Religion and Culture Ser.
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
20.5 Oz
Item Length
8.9 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2017-011907
Reviews
An impressively thorough treatment of the themes of sincerity and authenticity in Kant, Kierkegaard, and Levinas. Pickett's unpretentious and elegant style enable him to lay out complex ideas in an accessible way.
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
170.922
Table Of Content
Introduction 1. The Trouble with Lying: Kant, Character, and Self-Congruence 2. Virtuous Hypocrisy: Incongruence in Kant's Quest for Character 3. Inevitable Insincerity: Inwardness and Outwardness in Kierkegaardian Ethics and Faith 4. Hidden Lives, Ironic Selves: Kierkegaard and the Rise (and Fall) of Authenticity 5. Fearsome Authenticity: Levinas and the Rehabilitation of Sincerity 6. Beyond Sincerity: Levinasian Substitution in the Theater of Transcendence Conclusion
Synopsis
"This above all: To thine own self be true," is an ideal--or pretense--belonging as much to Hamlet as to the carefully choreographed realms of today's politics and social media. But what if our "true" selves aren't our "best" selves? Instagram's curated portraits of authenticity often betray the paradox of our performative selves: sincerity obliges us to be who we actually are, yet ethics would have us be better. Drawing on the writings of Immanuel Kant, Søren Kierkegaard, and Emmanuel Levinas, Howard Pickett presents a vivid defense of "virtuous hypocrisy." Our fetish for transparency tends to allow us to forget that the self may not be worthy of expression, and may become unethically narcissistic in the act of expression. Alert to this ambivalence, these great thinkers advocate incongruent ways of being. Rethinking Sincerity and Authenticity offers an engaging new appraisal not only of the ethics of theatricality but of the theatricality of ethics, contending that pursuit of one's ideal self entails a relational and ironic performance of identity that lies beyond the pure notion of expressive individualism., Drawing on the writings of Immanuel Kant, Søren Kierkegaard, and Emmanuel Levinas, Howard Pickett presents a vivid defense of "virtuous hypocrisy". Rethinking Sincerity and Authenticity offers an engaging new appraisal not only of the ethics of theatricality but of the theatricality of ethics., "This above all: To thine own self be true," is an ideal--or pretense--belonging as much to Hamlet as to the carefully choreographed realms of today's politics and social media. But what if our "true" selves aren't our "best" selves? Instagram's curated portraits of authenticity often betray the paradox of our performative selves: sincerity obliges us to be who we actually are, yet ethics would have us be better. Drawing on the writings of Immanuel Kant, S ren Kierkegaard, and Emmanuel Levinas, Howard Pickett presents a vivid defense of "virtuous hypocrisy." Our fetish for transparency tends to allow us to forget that the self may not be worthy of expression, and may become unethically narcissistic in the act of expression. Alert to this ambivalence, these great thinkers advocate incongruent ways of being. Rethinking Sincerity and Authenticity offers an engaging new appraisal not only of the ethics of theatricality but of the theatricality of ethics, contending that pursuit of one's ideal self entails a relational and ironic performance of identity that lies beyond the pure notion of expressive individualism., "This above all: To thine own self be true," is an ideal?or pretense?belonging as much to Hamlet as to the carefully choreographed realms of today?s politics and social media. But what if our "true" selves aren?t our "best" selves? Instagram?s curated portraits of authenticity often betray the paradox of our performative selves: sincerity obliges us to be who we actually are, yet ethics would have us be better. Drawing on the writings of Immanuel Kant, Søren Kierkegaard, and Emmanuel Levinas, Howard Pickett presents a vivid defense of "virtuous hypocrisy." Our fetish for transparency tends to allow us to forget that the self may not be worthy of expression, and may become unethically narcissistic in the act of expression. Alert to this ambivalence, these great thinkers advocate incongruent ways of being. Rethinking Sincerity and Authenticity offers an engaging new appraisal not only of the ethics of theatricality but of the theatricality of ethics, contending that pursuit of one?s ideal self entails a relational and ironic performance of identity that lies beyond the pure notion of expressive individualism.
LC Classification Number
B105.A8P53 2017

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