Classical Art : A Life History from Antiquity to the Present by Caroline Vout

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eBay item number:256631564877
Last updated on Feb 23, 2025 07:23:53 MYTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
β€œVery good to like new condition with light wear.”
Country/Region of Manufacture
United States
ISBN
9780691177038
Category

About this product

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691177031
ISBN-13
9780691177038
eBay Product ID (ePID)
240288140

Product Key Features

Number of Pages
376 Pages
Language
English
Publication Name
Classical Art : Alife History from Antiquity to the Present
Subject
Sculpture & Installation, Archaeology, Criticism & Theory, History / Ancient & Classical, History / General
Publication Year
2018
Type
Textbook
Author
Caroline Vout
Subject Area
Art, Architecture, Social Science
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
52.2 Oz
Item Length
10 in
Item Width
8.3 in

Additional Product Features

Intended Audience
College Audience
LCCN
2017-023421
Dewey Edition
23
Reviews
"Deeply informed by a long command of classical art and archaeology, this is an exceptional book. It is extremely wide-ranging by comparison with almost any other book on classical art since it includes the entire phenomenon of classicism in the European tradition. Increasingly, scholars are looking at ancient art in a broader context and there is absolutely no doubt that this is going to be the book for this generation of scholars for a significant time to come." --Jas Elsner, author of Roman Eyes: Visuality and Subjectivity in Art and Text, "The political, cerebral, aesthetic, ludic and erotic strains within classical reception are all sounded out in this sophisticated and beautifully illustrated book." ---Tom Stammers, Classical Art, "With its detailed notes, extensive bibliography, and appealing visuals, this book will speak to anyone interested in the formation and reception of classical visual traditions." ---Michael Squire, Greece and Rome, "This is an ambitious, highly original, and timely book. It is a sophisticated contribution to art history, classics, classical archaeology, and classical reception studies, and will be essential reading for scholars in all these fields." --Elizabeth Prettejohn, author of The Modernity of Ancient Sculpture: Greek Sculpture and Modern Art from Winckelmann to Picasso, "Deeply informed by a long command of classical art and archaeology, this is an exceptional book. It is extremely wide-ranging by comparison with almost any other book on classical art since it includes the entire phenomenon of classicism in the European tradition. Increasingly, scholars are looking at ancient art in a broader context and there is absolutely no doubt that this is going to be the book for this generation of scholars for a significant time to come." 'e"JaΓ…&rsa" Elsner, author of Roman Eyes: Visuality and Subjectivity in Art and Text, "Enlightening and thought-provoking . . . show how Classical Art . . . is - however we look at it - alive and well." ---Roger Williams, Minerva, "This is an ambitious, highly original, and timely book. It is a sophisticated contribution to art history, classics, classical archaeology, and classical reception studies, and will be essential reading for scholars in all these fields." 'e"Elizabeth Prettejohn, author of The Modernity of Ancient Sculpture: Greek Sculpture and Modern Art from Winckelmann to Picasso
Illustrated
Yes
Dewey Decimal
709.38
Synopsis
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future.What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum.A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean., How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean., How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history
LC Classification Number
N5613.V68 2018

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    The appearance in the photo is good and the seller description matched the product delivered. The book is in very good quality and the correct condition stated. The seller took care in packaging which a great value. This is a Great Seller.