Sonny Rollins A Night At the Village Vanguard double CD Blue Note 1999 CD

US $18.50
ApproximatelyRM 76.11
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Condition:
Brand New
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Located in: Boynton Beach, Florida, United States
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eBay item number:236505311112

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer’s sealing. Item is in ...
Catalogue Number
724349979529
UPC
0724349979529
Category

About this product

Product Identifiers

Record Label
Blun, Blue Note Records
UPC
0724349979529
eBay Product ID (ePID)
7070905521

Product Key Features

Release Year
1999
Format
CD
Genre
Jazz
Artist
Sonny Rollins
Release Title
A Night at the Village Vanguard

Dimensions

Item Height
0.50 in
Item Weight
0.24 lb
Item Length
5.60 in
Item Width
5.00 in

Additional Product Features

Number of Tracks
18
Number of Discs
2
Tracks
A Night in Tunisia, I've Got You Under My Skin, A Night in Tunisia (Evening Take), Softly As in a Morning Sunrise (Alternate Take), Four, Introduction, Woody 'N' You, Introduction, Old Devil Moon, What Is This Thing Called Love, Softly As in a Morning Sunrise, Sonnymoon for Two, I Can't Get Started, I'll Remember April, Get Happy, Striver's Row, All the Things You Are, Get Happy (Short Version)
Notes
The Vanguard recordings come from a period when Rollins found maximum freedom in a trio pared down to the essentials of tenor, bass, and drums, and the multiple takes here testify to his fluent invention. Disc 1 of this set is highlighted by two takes of "A Night in Tunisia," the first recorded at a matinee with bassist Donald Bailey and drummer Pete LaRoca, the second and faster version at the evening performance with regular accompanists bassist Wilbur Ware and drummer Elvin Jones. The second CD continues the evening performance with Ware and Jones. It's a uniquely gifted threesome, with each musician seeming to invent new ways to swing, without a note or a musical opportunity wasted. Both Rollins and Ware reveal their relationship to Thelonious Monk in the ability to create complex, arresting music out of shifts in rhythmic inflections. It's especially apparent in the second version of "Softly as in a Morning Sunrise." In this context, Jones has an opportunity to show just how melodic a drummer he was. The two versions of "Get Happy" demonstrate Rollins's ability to make complex and witty music out of the most banal material, while "What Is This Thing Called Love" is a tour de force of sustained group invention.

Item description from the seller

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