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Sonny Rollins A Night At the Village Vanguard double CD Blue Note 1999 CD
US $18.50
ApproximatelyRM 76.11
or Best Offer
Condition:
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Shipping:
US $4.50 (approx RM 18.51) USPS Media MailTM.
Located in: Boynton Beach, Florida, United States
Delivery:
Estimated between Wed, 10 Dec and Tue, 16 Dec to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
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About this item
Seller assumes all responsibility for this listing.
eBay item number:236505311112
Item specifics
- Condition
- Catalogue Number
- 724349979529
- UPC
- 0724349979529
About this product
Product Identifiers
Record Label
Blun, Blue Note Records
UPC
0724349979529
eBay Product ID (ePID)
7070905521
Product Key Features
Release Year
1999
Format
CD
Genre
Jazz
Artist
Sonny Rollins
Release Title
A Night at the Village Vanguard
Dimensions
Item Height
0.50 in
Item Weight
0.24 lb
Item Length
5.60 in
Item Width
5.00 in
Additional Product Features
Number of Tracks
18
Number of Discs
2
Tracks
A Night in Tunisia, I've Got You Under My Skin, A Night in Tunisia (Evening Take), Softly As in a Morning Sunrise (Alternate Take), Four, Introduction, Woody 'N' You, Introduction, Old Devil Moon, What Is This Thing Called Love, Softly As in a Morning Sunrise, Sonnymoon for Two, I Can't Get Started, I'll Remember April, Get Happy, Striver's Row, All the Things You Are, Get Happy (Short Version)
Notes
The Vanguard recordings come from a period when Rollins found maximum freedom in a trio pared down to the essentials of tenor, bass, and drums, and the multiple takes here testify to his fluent invention. Disc 1 of this set is highlighted by two takes of "A Night in Tunisia," the first recorded at a matinee with bassist Donald Bailey and drummer Pete LaRoca, the second and faster version at the evening performance with regular accompanists bassist Wilbur Ware and drummer Elvin Jones. The second CD continues the evening performance with Ware and Jones. It's a uniquely gifted threesome, with each musician seeming to invent new ways to swing, without a note or a musical opportunity wasted. Both Rollins and Ware reveal their relationship to Thelonious Monk in the ability to create complex, arresting music out of shifts in rhythmic inflections. It's especially apparent in the second version of "Softly as in a Morning Sunrise." In this context, Jones has an opportunity to show just how melodic a drummer he was. The two versions of "Get Happy" demonstrate Rollins's ability to make complex and witty music out of the most banal material, while "What Is This Thing Called Love" is a tour de force of sustained group invention.
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