The New York School: Photographs, 1936-1963 ( DAMAGED)

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Item specifics

Condition
Acceptable: A book with obvious wear. May have some damage to the cover but integrity still intact. ...
Release Year
1992
ISBN
9781556702396
Category

About this product

Product Identifiers

Publisher
Stewart, Tabori & Chang
ISBN-10
1556702396
ISBN-13
9781556702396
eBay Product ID (ePID)
1498514

Product Key Features

Book Title
New York School : Photographs, 1936-1963
Number of Pages
404 Pages
Language
English
Publication Year
1996
Topic
General, History
Illustrator
Yes
Genre
Photography
Author
Jane Livingston
Format
Hardcover

Dimensions

Item Height
1.7 in
Item Weight
105.5 Oz
Item Length
12 in
Item Width
10 in

Additional Product Features

LCCN
92-009852
TitleLeading
The
Dewey Decimal
770/.9747/10904
Synopsis
The New York School of Photography refers to a loosely defined group of photographers who lived and worked in New York City from the late 1930s to the early 1960s. In this volume, author Jane Livingston, former chief curator of the Corcoran Gallery of Art, defines this seminal episode in American photography by examining sixteen photographers and their influences, subjects, and stylistic earmarks. Included are Diane Arbus, Richard Avedon, Alexey Brodovitch, Ted Croner, Bruce Davidson, Don Donaghy, Louis Faurer, Robert Frank, Sid Grossman, William Klein, Saul Leiter, Leon Levinstein, Helen Levitt, Lisette Model, David Vestal, and Weegee. Many of these photographers worked for the magazines of the day but stretched the boundaries of their medium in their personal work as street photographers. Their subject was most often New York itself: the random choreography of the city's sidewalks, the crush of bodies on Coney Island's beaches, the glow of street lights, and the glare of Times Square. To some degree they all assimilated or transformed the photographic concerns of Lewis Hine, Walker Evans, and Henri Cartier-Bresson, whose positions set the stage for the emergence of the New York School. Many of them identified with the look and values embodied in film noir. In The New York School, each photographer's work is represented in a portfolio of approximately twelve images printed on one of four kinds of paper; varying shades and tones among the portfolios are achieved by the use of different duotone inks. Through an electrifying selection of both classic and rediscovered photographs and an irresistibly engaging text full of quotes from the photographers themselves, Jane Livingston shows thedistinctive stylistic nature, of this newly understood group.
LC Classification Number
TR25.N7L58 1992

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