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Pat Passlof: The Brush Is the Finger of the Brain: Paintings 1949–2011, , Good B
US $228.50
ApproximatelyRM 967.97
Condition:
“Hardcover issued without dust-jacket. Pencil markings to some pages. Binding solid.”
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Free Economy Shipping.
Located in: Forest Grove, Oregon, United States
Delivery:
Estimated between Mon, 11 Aug and Wed, 13 Aug to 94104
Returns:
30 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
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Seller assumes all responsibility for this listing.
eBay item number:236240129802
Item specifics
- Condition
- Good
- Seller Notes
- “Hardcover issued without dust-jacket. Pencil markings to some pages. Binding solid.”
- ISBN
- 9781733796118
About this product
Product Identifiers
Publisher
Milton Resnick & Pat Passlof Foundation, T.H.E.
ISBN-10
1733796118
ISBN-13
9781733796118
eBay Product ID (ePID)
8038600086
Product Key Features
Book Title
Pat Passlof: the Brush Is the Finger of the Brain : Paintings 1949-2011
Number of Pages
84 Pages
Language
English
Publication Year
2019
Topic
Individual Artists / Monographs, General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.5 in
Item Weight
21.7 Oz
Item Length
12 in
Item Width
9.1 in
Additional Product Features
Intended Audience
Trade
Synopsis
The first full survey of the six-decade career of Pat Passlof, mainstay of New York's downtown abstract expressionist scene Pat Passlof (1928-2011) was intimately engaged in the downtown New York painting scene in the 1950s and '60s, as a painter, a close friend and confidant of de Kooning and many others, and a cofounder of the March Gallery. She was a dedicated, ambitious woman in a male-dominated art world. But what is most impressive, at any time in her long working life, is her sensuous handling of oil paint, her idiosyncratic sense of color and her independance. This monograph, the most comprehensive survey of her work published to date, brings her career of over 60 years into focus. As art historian Karen Wilkin demonstrates, Passlof's later works apply abstract expressionist spontaneity and painterly brushwork to a wide range of imagery, from systematic mark-making to emblematic figures, landscape and horses., The first full survey of the six-decade career of Pat Passlof, mainstay of New York's downtown abstract expressionist scene Pat Passlof (1928-2011) was intimately engaged in the downtown New York painting scene in the 1950s and '60s, as a painter, a close friend and confidant of de Kooning and many others, and a cofounder of the March Gallery. She was a dedicated, ambitious woman in a male-dominated art world. But what is most impressive, at any time in her long working life, is her sensuous handling of oil paint, her idiosyncratic sense of color and her independence. This monograph, the most comprehensive survey of her work published to date, brings her career of over 60 years into focus. As art historian Karen Wilkin demonstrates, Passlof's later works apply abstract expressionist spontaneity and painterly brushwork to a wide range of imagery, from systematic mark-making to emblematic figures, landscapes and horses.
Text by
Wilkin, Karen
Item description from the seller
Seller feedback (2,595)
- 2***0 (76)- Feedback left by buyer.Past monthVerified purchaseArrived promptly, in condition as advertised, and good packaging.
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