
Photographs by Man Ray: 105 Works, 1920-1934 Ray, Man paperback Good
US $9.38US $9.38
Jul 10, 09:48Jul 10, 09:48
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Photographs by Man Ray: 105 Works, 1920-1934 Ray, Man paperback Good
US $9.38
ApproximatelyRM 40.04
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Located in: Laurel, Maryland, United States
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eBay item number:236146511986
Item specifics
- Condition
- Release Year
- 1980
- ISBN
- 9780486238425
About this product
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
0486238423
ISBN-13
9780486238425
eBay Product ID (ePID)
677966
Product Key Features
Book Title
Photographs by Man Ray : 105 Works, 1920-1934
Number of Pages
128 Pages
Language
English
Topic
Individual Photographers / General, History
Publication Year
1980
Illustrator
Yes
Features
Reprint
Genre
Photography
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
16.8 Oz
Item Length
12.2 in
Item Width
9.4 in
Additional Product Features
Intended Audience
Trade
LCCN
79-050641
Dewey Decimal
779
Edition Description
Reprint
Synopsis
"Dada is artistic free-thinking." -- Breton Man Ray (1890-1976), American photographer, painter, designer, sculptor, and filmmaker, arrived in Paris in 1921. Inspired by a unique artistic vision grounded in the deliberate irrationality of Dada and the incongruous vision of Surrealism, Ray created a gallery of striking photographs: unforgettable images that etch themselves into the mind and transform our perceptions of reality. This beautiful large-format volume reproduces on coated stock a rich selection of these works, created amid the intellectual and artistic ferment of the 20's and 30's. To achieve his remarkable effects, Ray experimented with various techniques: over and under exposure, shooting through different fabrics, superimposing images, and zeroing in on tiny details. In his words: "The removal of inculcated modes of presentation, resulting in apparent artificiality or strangeness ... is to be welcomed." To preserve the full dramatic impact of his ground-breaking work, Dover has carefully and painstakingly reproduced these photographs from a rare gravure edition. The photographs are divided into 5 groupings: Photos 1-24: general subjects (still lifes, rooms, landscapes, cityscapes, flowers) Photos 25-42: female figures , mainly nudes Photos 43-66: women's faces (including Gertrude Stein) Photos 67-84: celebrity portraits (Ray, Dalí, Tzara, Sinclair Lewis, Joyce, Eluard, Breton, Derain, Braque, Matisse, Picasso, and others) Photos 85-104: rayographs , "cameraless" compositions created by resting objects on unexposed film Also included in this edition are acclamatory texts by Eluard, Breton, and Tzara in the original French with English translations; a German text by Rrose Sélavy (pseudonymous) with English translation; an Introduction by Ray with French translation, and a portrait of Ray by Picasso. Today, Ray's individual photographs command high prices on the collector's market. Indeed, the original edition of this book sells for hundreds of dollars. The publication of this inexpensive Dover edition thus allows photographers, artists, designers, and students of art and photography an unparalleled opportunity to savor and study these iconoclastic masterpieces. Most of the photos are full page, or nearly so, and reveal the profoundly original vision of a man for whom the violation of convention was "far preferable to the monstrous habits condoned by etiquette and estheticism.", "Dada is artistic free-thinking." -- Breton Man Ray (1890-1976), American photographer, painter, designer, sculptor, and filmmaker, arrived in Paris in 1921. Inspired by a unique artistic vision grounded in the deliberate irrationality of Dada and the incongruous vision of Surrealism, Ray created a gallery of striking photographs: unforgettable images that etch themselves into the mind and transform our perceptions of reality. This beautiful large-format volume reproduces on coated stock a rich selection of these works, created amid the intellectual and artistic ferment of the 20's and 30's. To achieve his remarkable effects, Ray experimented with various techniques: over and under exposure, shooting through different fabrics, superimposing images, and zeroing in on tiny details. In his words: "The removal of inculcated modes of presentation, resulting in apparent artificiality or strangeness ... is to be welcomed." To preserve the full dramatic impact of his ground-breaking work, Dover has carefully and painstakingly reproduced these photographs from a rare gravure edition. The photographs are divided into 5 groupings: Photos 1-24: general subjects (still lifes, rooms, landscapes, cityscapes, flowers) Photos 25-42: female figures , mainly nudes Photos 43-66: women's faces (including Gertrude Stein) Photos 67-84: celebrity portraits (Ray, Dal , Tzara, Sinclair Lewis, Joyce, Eluard, Breton, Derain, Braque, Matisse, Picasso, and others) Photos 85-104: rayographs , "cameraless" compositions created by resting objects on unexposed film Also included in this edition are acclamatory texts by Eluard, Breton, and Tzara in the original French with English translations; a German text by Rrose S lavy (pseudonymous) with English translation; an Introduction by Ray with French translation, and a portrait of Ray by Picasso. Today, Ray's individual photographs command high prices on the collector's market. Indeed, the original edition of this book sells for hundreds of dollars. The publication of this inexpensive Dover edition thus allows photographers, artists, designers, and students of art and photography an unparalleled opportunity to savor and study these iconoclastic masterpieces. Most of the photos are full page, or nearly so, and reveal the profoundly original vision of a man for whom the violation of convention was "far preferable to the monstrous habits condoned by etiquette and estheticism.", Rich selection of various techniques include over and under exposure, shooting through fabric, superimposing images, and zeroing in on tiny details. Photographs are divided into general subjects, female figures (mainly nudes); women's faces (including Gertrude Stein); celebrity portraits (Dali, Derain, Matisse, Picasso, and others); and rayographs, cameraless compositions created by resting objects on unexposed film., Rich selection of various techniques include over and under exposure, shooting through fabric, superimposing images, and zeroing in on tiny details. Photographs are divided into general subjects, female figures (mainly nudes), women's faces, celebrity portraits, and rayographs.
LC Classification Number
TR653.R4 1
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