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"Man Ray in Paris" by Erin C. Garcia Hardcover Book New Sealed Copy Getty Museum
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ApproximatelyRM 108.97
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Located in: Klamath Falls, Oregon, United States
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About this item
Seller assumes all responsibility for this listing.
eBay item number:235323040352
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Country of Origin
- United States
- Signed
- No
- Book Series
- Historical
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Original Language
- English
- Intended Audience
- Adults
- Inscribed
- No
- Vintage
- No
- Personalize
- No
- Type
- Illustrated Art History And Criticism
- Literary Movement
- Surrealism
- Era
- 1920's - 1930's
- Personalized
- No
- Features
- Sealed Copy, Out Of Print
- ISBN
- 9781606060605
About this product
Product Identifiers
Publisher
Getty Publications
ISBN-10
1606060600
ISBN-13
9781606060605
eBay Product ID (ePID)
99603570
Product Key Features
Book Title
Man Ray in Paris
Number of Pages
128 Pages
Language
English
Publication Year
2011
Topic
Individual Photographers / General, Criticism & Theory, General, American / General
Illustrator
Yes
Genre
Art, Photography
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
23.1 Oz
Item Length
9.5 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2010-037148
Dewey Edition
22
Reviews
"A beautifully produced collection of the artist's experiments in [photography]."- La Lettre de la Photographie, "The collection pays homage to both the whimsical, imaginative, unsettling energies of Ray's work, as well as his formal interests in geometry, symmetry, and contrasts."- Publishers Weekly, "The collection pays homage to both the whimsical, imaginative, unsettling energies of Ray's work, as well as his formal interests in geometry, symmetry, and contrasts."-- Publishers Weekly, "A beautifully produced collection of the artist's experiments in [photography]."-- La Lettre de la Photographie, "An attractive package for Man Ray enthusiasts, photography buffs, and Francophiles."- Library Journal, "An attractive package for Man Ray enthusiasts, photography buffs, and Francophiles."-- Library Journal
Dewey Decimal
779
Synopsis
Paris after World War I was teeming with Americans. Bon vivants seeking escape from prohibition mingled with artists and intellectuals, all pursuing their dreams in the City of Light. The American Modernist Man Ray (1890-1976) spent the 1920s and 1930s in Paris, where experimental expression was flourishing. While he considered himself to be primarily a painter and also worked in film, sculpture, and collage, his best-known and most innovative medium was photography. Man Ray arrived in Paris in 1921 full of creative energy. Inspired by Marcel Duchamp's "readymades"--mundane objects that became works of art in the gallery context--Man Ray spontaneously created an assemblage during a party by combining carpet tacks and an iron, which he then photographed. Soon afterward, he began to experiment with cameraless photography and devised his Rayographs--abstract images produced by placing objects directly on photographic paper and exposing it to light. He eventually became an influential figure in the city's avant-garde circles and began to make striking portraits of many of its luminaries, including Pablo Picasso, James Joyce, Jean Cocteau, Joan Mir , and Gertrude Stein. His work inspired other photographers and encouraged painters, including the Surrealists Ren Magritte and Salvador Dal , to experiment with the medium. Through its fascinating text and numerous photographs, this volume vividly demonstrates why Man Ray is still considered to be one of the most inventive and exciting artists of the twentieth century., Paris after World War I was teeming with Americans. Bon vivants seeking escape from prohibition mingled with artists and intellectuals, all pursuing their dreams in the City of Light. The American Modernist Man Ray (1890-1976) spent the 1920s and 1930s in Paris, where experimental expression was flourishing. While he considered himself to be primarily a painter and also worked in film, sculpture, and collage, his best-known and most innovative medium was photography. Man Ray arrived in Paris in 1921 full of creative energy. Inspired by Marcel Duchamp's "readymades"--mundane objects that became works of art in the gallery context--Man Ray spontaneously created an assemblage during a party by combining carpet tacks and an iron, which he then photographed. Soon afterward, he began to experiment with cameraless photography and devised his Rayographs--abstract images produced by placing objects directly on photographic paper and exposing it to light. He eventually became an influential figure in the city's avant-garde circles and began to make striking portraits of many of its luminaries, including Pablo Picasso, James Joyce, Jean Cocteau, Joan Miró, and Gertrude Stein. His work inspired other photographers and encouraged painters, including the Surrealists René Magritte and Salvador Dalí, to experiment with the medium. Through its fascinating text and numerous photographs, this volume vividly demonstrates why Man Ray is still considered to be one of the most inventive and exciting artists of the twentieth century.
LC Classification Number
TR655.G369 2011
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