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Slave Culture : Nationalist Theory and the Foundations of Black America, PB

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eBay item number:226888497642

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Not an ex-library book. The previous owner added a numbered sticker on the spine with tape for ...
Book Title
Slave Culture : Nationalist Theory and the Foundations of Black A
ISBN
9780199931675

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199931674
ISBN-13
9780199931675
eBay Product ID (ePID)
167892911

Product Key Features

Number of Pages
496 Pages
Publication Name
Slave Culture : Nationalist Theory and the Foundations of Black America
Language
English
Subject
United States / Civil War Period (1850-1877), United States / General, World / African, Ethnic Studies / African American Studies
Publication Year
2013
Type
Textbook
Subject Area
Political Science, Social Science, History
Author
Sterling Stuckey
Format
Trade Paperback

Dimensions

Item Height
1.3 in
Item Weight
23.5 Oz
Item Length
9.3 in
Item Width
6.1 in

Additional Product Features

Edition Number
2
Intended Audience
Scholarly & Professional
LCCN
2013-036300
Reviews
"A splendid addition to the rich literature on the lives of blacks under slavery."--The Philadelphia Inquirer "An exciting, superbly documented text....It is Stuckey's masterpiece, a brilliant synthesis of years of research distilled with the insights and analytic knack of one of the master historians of the black experience....It is an essential classic of African-American scholarship."--Robert Farris Thompson, Yale University "Stuckey's stimulating work clearly suggests that until Afro-Americans can resolve not only the problems of economic and political empowerment but also the related problem of cultural self-definition--especially as regards their Africanness--the travail of black liberation will not come to an end."--The Nation "Thoughtful tracing of the roots of black nationalist feelings in America over several centuries."--Kirkus Reviews "An interpretation of considerable originality. [Stuckey] brings a broad knowledge of, and a wonderful ear for, poetry, music, dance, and folklore....I cannot do justice to Stuckey's contributions to scholarship, much less to the pleasure that awaits those who avail themselves of his subtle and nuanced readings."--Eugene Genovese, The New Republic "Stuckey's signal achievement is that he has forced us to reexamine the roots of slave culture and the attendant political implications in new and exciting ways."--Reviews in American History, "A splendid addition to the rich literature on the lives of blacks under slavery."--The Philadelphia Inquirer"An exciting, superbly documented text....It is Stuckey's masterpiece, a brilliant synthesis of years of research distilled with the insights and analytic knack of one of the master historians of the black experience....It is an essential classic of African-American scholarship."--Robert Farris Thompson, Yale University"Stuckey's stimulating work clearly suggests that until Afro-Americans can resolve not only the problems of economic and political empowerment but also the related problem of cultural self-definition--especially as regards their Africanness--the travail of black liberation will not come to an end."--The Nation"Thoughtful tracing of the roots of black nationalist feelings in America over several centuries."--Kirkus Reviews"An interpretation of considerable originality. [Stuckey] brings a broad knowledge of, and a wonderful ear for, poetry, music, dance, and folklore....I cannot do justice to Stuckey's contributions to scholarship, much less to the pleasure that awaits those who avail themselves of his subtle and nuanced readings."--Eugene Genovese, The New Republic"Stuckey's signal achievement is that he has forced us to reexamine the roots of slave culture and the attendant political implications in new and exciting ways."--Reviews in American History, "A splendid addition to the rich literature on the lives of blacks under slavery."--The Philadelphia Inquirer "An exciting, superbly documented text....It is Stuckey's masterpiece, a brilliant synthesis of years of research distilled with the insights and analytic knack of one of the master historians of the black experience....It is an essential classic of African-American scholarship."--Robert Farris Thompson, Yale University"Stuckey's stimulating work clearly suggests that until Afro-Americans can resolve not only the problems of economic and political empowerment but also the related problem of cultural self-definition--especially as regards their Africanness--the travail of black liberation will not come to an end."--The Nation"Thoughtful tracing of the roots of black nationalist feelings in America over several centuries."--Kirkus Reviews"An interpretation of considerable originality. [Stuckey] brings a broad knowledge of, and a wonderful ear for, poetry, music, dance, and folklore....I cannot do justice to Stuckey's contributions to scholarship, much less to the pleasure that awaits those who avail themselves of his subtle and nuanced readings."--Eugene Genovese, The New Republic"Stuckey's signal achievement is that he has forced us to reexamine the roots of slave culture and the attendant political implications in new and exciting ways."--Reviews in American History, "A splendid addition to the rich literature on the lives of blacks under slavery." --The Philadelphia Inquirer "An exciting, superbly documented text....It is Stuckey's masterpiece, a brilliant synthesis of years of research distilled with the insights and analytic knack of one of the master historians of the black experience....It is an essential classic of African-American scholarship." --Robert Farris Thompson, Yale University "Stuckey's stimulating work clearly suggests that until Afro-Americans can resolve not only the problems of economic and political empowerment but also the related problem of cultural self-definition--especially as regards their Africanness--the travail of black liberation will not come to an end." --The Nation "Thoughtful tracing of the roots of black nationalist feelings in America over several centuries." --Kirkus Reviews "An interpretation of considerable originality. [Stuckey] brings a broad knowledge of, and a wonderful ear for, poetry, music, dance, and folklore....I cannot do justice to Stuckey's contributions to scholarship, much less to the pleasure that awaits those who avail themselves of his subtle and nuanced readings." --Eugene Genovese, The New Republic "Stuckey's signal achievement is that he has forced us to reexamine the roots of slave culture and the attendant political implications in new and exciting ways." --Reviews in American History
Dewey Edition
19
Dewey Decimal
305.8/96073
Table Of Content
Foreword1. Introduction: Slavery and the Circle of Culture2. David Walker: In Defense of African Rights and Liberty3. Henry HIghland Garnet: Nationalism, Class Analysis, and Revolution4. Identity and Ideology: The Names Controversy5. W.E.B. Du Bois: Black Cultural Reality and the Meaning of Freedom6. On Being African: Paul Robeson and the Ends of Nationalist Theory and PracticeNotesIndex
Synopsis
An updated edition of the highly acclaimed contribution to African-American scholarship, Slave Culture considers how various African peoples interacted on the plantations of the South to achieve a common culture, tracing of the roots of black nationalist feelings in America over several centuries., Twenty-five years after its original publication, Oxford has released a new edition of Sterling Stuckey's ground-breaking study, Slave Culture. A leading cultural historian and authority on slavery, Stuckey explains how different African peoples interacted on the plantations of the South to achieve a common culture. He argues that at the time of emancipation, slaves still remained essentially African in culture, a conclusion that has had profound implications for theories of black liberation and race relations in America.Drawing evidence from the anthropology and art history of Central and West African cultural traditions and exploring the folklore of the American slave, Stuckey reveals an intrinsic Pan-African impulse that contributed to the formation of the black ethos in slavery. He presents fascinating profiles of such nineteenth-century figures as David Walker, Henry Highland Garnet, and Frederick Douglass, as well as detailed examinations into the lives and careers of W.E.B. Du Bois and Paul Robeson in this century.The second edition, which includes a Foreword by historian John Stauffer, will reintroduce Stuckey's masterpiece to a wider audience. Stukey provides a new introduction that looks at the life of the book and the impact it has had on the field of African-American scholarship, as well as how the field has changed in the 25 years since its original publication., Twenty-five years after its original publication, Oxford has released a new edition of Sterling Stuckey's ground-breaking study, Slave Culture . A leading cultural historian and authority on slavery, Stuckey explains how different African peoples interacted on the plantations of the South to achieve a common culture. He argues that at the time of emancipation, slaves still remained essentially African in culture, a conclusion that has had profound implications for theories of black liberation and race relations in America. Drawing evidence from the anthropology and art history of Central and West African cultural traditions and exploring the folklore of the American slave, Stuckey reveals an intrinsic Pan-African impulse that contributed to the formation of the black ethos in slavery. He presents fascinating profiles of such nineteenth-century figures as David Walker, Henry Highland Garnet, and Frederick Douglass, as well as detailed examinations into the lives and careers of W.E.B. Du Bois and Paul Robeson in this century. The second edition, which includes a Foreword by historian John Stauffer, will reintroduce Stuckey's masterpiece to a wider audience. Stukey provides a new introduction that looks at the life of the book and the impact it has had on the field of African-American scholarship, as well as how the field has changed in the 25 years since its original publication., Twenty-five years after its original publication, Oxford has released a new edition of Sterling Stuckey's ground-breaking study, Slave Culture. A leading cultural historian and authority on slavery, Stuckey explains how different African peoples interacted on the plantations of the South to achieve a common culture. He argues that at the time of emancipation, slaves still remained essentially African in culture, a conclusion that has had profound implications for theories of black liberation and race relations in America.Drawing evidence from the anthropology and art history of Central and West African cultural traditions and exploring the folklore of the American slave, Stuckey reveals an intrinsic Pan-African impulse that contributed to the formation of the black ethos in slavery. He presents fascinating profiles of such nineteenth-century figures as David Walker, Henry Highland Garnet, and Frederick Douglass, as well as detailed examinations into the lives and careers of W.E.B. Du Bois and Paul Robeson in this century.The second edition, which includes a Foreword by historian John Stauffer, will reintroduce Stuckey's masterpiece to a wider audience. Stuckey provides a new introduction that looks at the life of the book and the impact it has had on the field of African-American scholarship, as well as how the field has changed in the 25 years since its original publication.
LC Classification Number
E441.S97 2014

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