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Architecture Catalog: Adolf Loos Architecture 1903-1932 by Roberto Schezen

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
ISBN
9781885254139

About this product

Product Identifiers

Publisher
Monacelli Press, Incorporated
ISBN-10
188525413X
ISBN-13
9781885254139
eBay Product ID (ePID)
21038499719

Product Key Features

Book Title
Adolf Loos : Architecture 1903-1932
Number of Pages
180 Pages
Language
English
Topic
Reference, Individual Architects & Firms / General, History / General
Publication Year
1996
Illustrator
Yes
Genre
Architecture, Photography
Author
Roberto Schezen, Kenneth Frampton, Joseph Rosa
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
38.8 Oz
Item Length
10.1 in
Item Width
10.1 in

Additional Product Features

Intended Audience
Trade
LCCN
95-050546
Dewey Edition
20
Dewey Decimal
720/.92
Synopsis
Adolf Loos not only was part of the first wave of modern architecture but also served as an important source of inspiration for all architects who followed. He is emblematic of the turn-of-the-century generation that was torn between the traditional culture of the nineteenth century and the innovative modernism of the twentieth. Loos's masterful "astylistic architecture" is captured in this volume by the esteemed photographer Roberto Schezen in over one hundred exceptional photographs.Starting with the refurbishment of his own apartment in 1903, twenty of Loos's most significant buildings are beautifully displayed: Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen's vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used.Complementing this remarkable visual material is Kenneth Frampton's perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work: the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture's position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa's accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos's architectural conventions.
LC Classification Number
NA1011.5.L6S34 1996

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