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THE POETICS OF IMPERSONALITY: T. S. ELIOT AND EZRA POUND By Maud Ellmann
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“Book is in typical used-Good Condition. Will show signs of wear to cover and/or pages. There may be ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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eBay item number:226088797635
Item specifics
- Condition
- Good
- Seller Notes
- ISBN-10
- 0748691294
- Book Title
- The Poetics of Impersonality: T. S. Eliot and Ezra Pound
- ISBN
- 9780748691296
- Subject Area
- Literary Criticism
- Publication Name
- Poetics of Impersonality : T. S. Eliot and Ezra Pound
- Publisher
- Edinburgh Tea & Coffee Company University Press
- Item Length
- 5.5 in
- Subject
- Asian / General, Poetry, American / General, European / English, Irish, Scottish, Welsh
- Publication Year
- 2013
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 10.1 Oz
- Item Width
- 8.4 in
- Number of Pages
- 224 Pages
About this product
Product Identifiers
Publisher
Edinburgh Tea & Coffee Company University Press
ISBN-10
0748691294
ISBN-13
9780748691296
eBay Product ID (ePID)
204156228
Product Key Features
Number of Pages
224 Pages
Language
English
Publication Name
Poetics of Impersonality : T. S. Eliot and Ezra Pound
Subject
Asian / General, Poetry, American / General, European / English, Irish, Scottish, Welsh
Publication Year
2013
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
10.1 Oz
Item Length
5.5 in
Item Width
8.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
19
TitleLeading
The
Reviews
The local analyses, the verbal felicities, the luminous details of Maud Ellmann's book are striking and inventive. The great strength of the book, as I see it, lies in the productive convergence of post-structuralist theory and a scrupulous historical sense... (The reading of the poems) is original, supple, and provoking., Maud Ellmann's book is vivid and original. The author is very intelligent and has done her reading with resourcefulness and penetration. Frank KermodeThe local analyses, the verbal felicities, the luminous details of Maud Ellmann's book are striking and inventive. The great strength of the book, as I see it, lies in the productive convergence of post-structuralist theory and a scrupulous historical sense... (The reading of the poems) is original, supple, and provoking. Michael Levenson, Professor of English, University of Virginia, Maud Ellmann's book is vivid and original. The author is very intelligent and has done her reading with resourcefulness and penetration. Frank Kermode The local analyses, the verbal felicities, the luminous details of Maud Ellmann's book are striking and inventive. The great strength of the book, as I see it, lies in the productive convergence of post-structuralist theory and a scrupulous historical sense... (The reading of the poems) is original, supple, and provoking. Michael Levenson, Professor of English, University of Virginia
Dewey Decimal
821/.912/09353
Synopsis
In this classic work, Maud Ellmann examines T. S. Eliot's and Ezra Pound's criticism in terms of what she calls the 'poetics of impersonality'. Her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism., In this classic work, Maud Ellmann examines T. S. Eliot's and Ezra Pound's criticism in terms of what she calls the 'poetics of impersonality'. She convincingly shows that Eliot's and Pound's attempts to overcome personality merely reinstated it in a new guise. And her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism. Following an analysis of Eliot's relation to Bergson, Ellmann goes on to analyse Eliot's 'Tradition and the Individual Talent' and the later After Strange Gods, the early poems, The Waste Land, and Four Quartets. She then turns to Pound's Personae, particularly 'Mauberley', and the Cantos. Ellmann looks for the contradictions inherent in modernist literary ideology and deftly teases out their implications. Stylish and perceptive, this book marked the debut of a major literary critic, and it has as much resonance today as it did on first publication., This book features original readings of Pound and Eliot from a major literary critic. In this classic work, Maud Ellmann examines T. S. Eliot's and Ezra Pound's criticism in terms of what she calls the 'poetics of impersonality'. She convincingly shows that Eliot's and Pound's attempts to overcome personality merely reinstated it in a new guise: her superb and entirely original readings of the major poems of the modernist canon have earned a lasting place in criticism. Stylish and perceptive, this book marked the debut of a major literary critic, and it has as much resonance today as it did on first publication. Ellmann analyses Eliot's relation to Bergson, then his 'Tradition and the Individual Talent' and the later After Strange Gods, the early poems, The Waste Land, and Four Quartets. She then turns to Pound's Personae, particularly 'Mauberley', and the Cantos. Ellmann looks for the contradictions inherent in modernist literary ideology and deftly teases out their implications.
LC Classification Number
PS3509.L43
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