BRAHMS "COMPLETE CONCERTI IN FULL SCORE" 1981 DOVER PB SCORE VG PIANO, VLN, VLC

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Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Please see description.”
Country/Region of Manufacture
United States
Inscribed
No
Type
Musical score
Intended Audience
Adults
ISBN
9780486241708
Category

About this product

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
048624170X
ISBN-13
9780486241708
eBay Product ID (ePID)
4038297602

Product Key Features

Original Language
German
Book Title
Complete Concerti in Full Score
Number of Pages
352 Pages
Language
English
Topic
Printed Music / Opera & Classical Scores, Genres & Styles / Classical, Ethnic
Publication Year
1981
Features
Reprint
Genre
Music
Author
Johannes Brahms
Book Series
Dover Music Scores Ser.
Format
Trade Paperback

Dimensions

Item Weight
35.8 Oz
Item Length
12.2 in
Item Width
9.4 in

Additional Product Features

Intended Audience
Trade
Edition Description
Reprint
Synopsis
Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is a delightful mixture of classical form clothed in the multicolored hues of German romanticism. (John Gillespie, Five Centuries of Keyboard Music ). Brahms's masterful synthesis of these disparate elements: his inventive rhythmic drive and happy fusion of poetry and sound workmanship are strikingly evidenced in the concerti. Although he wrote only four -- two for piano, one for violin, and one double concerto for violin and cello -- they have all become absolute staples of the concert repertoire. Because they are for different instruments, however, they have rarely been available together in one convenient volume -- until now. This Dover edition reproduces all four concerti directly from Breitkopf and H rtel's definitive S mtliche Werke, Volumes 5 and 5, c. 1920-27. The original editor's commentary by Hans Gal is included both in German and in English. The four concerti are Piano Concerto No. 1 in D Minor, Op. 15; Piano Concerto No. 2 in B-flat Major, Op. 83; Violin Concerto, Op. 77; and Concerto for Violin and Cello, Op. 102. With this single low-priced volume, students, composers, and musicologists may savor Brahms's development in the form (extending over three decades, 1845-87). Conductors and librarians will have a handy, inexpensive, complete collection, and musicians and music lovers will find a way to experience the inexhaustible variety of one of music's great masters., Brahms wrote only 4 concerti - and they all are presented here.Includes Piano Concertos Nos. 1 and 2; Violin Concerto, Op. 77; Concertos for Violin and Cello, Op. 102. Definitive Breitkopf and HÄrtel edition., Brahms wrote only 4 concerti -- and they all are presented here. Includes Piano Concertos Nos. 1 and 2; Violin Concerto, Op. 77; Concertos for Violin and Cello, Op. 102. Definitive Breitkopf and Hrtel edition., Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is "a delightful mixture of classical form clothed in the multicolored hues of German romanticism." (John Gillespie, Five Centuries of Keyboard Music ). Brahms's masterful synthesis of these disparate elements: his inventive rhythmic drive and happy fusion of poetry and sound workmanship are strikingly evidenced in the concerti. Although he wrote only four -- two for piano, one for violin, and one double concerto for violin and cello -- they have all become absolute staples of the concert repertoire. Because they are for different instruments, however, they have rarely been available together in one convenient volume -- until now. This Dover edition reproduces all four concerti directly from Breitkopf and H rtel's definitive S mtliche Werke, Volumes 5 and 5, c. 1920-27. The original editor's commentary by Hans Gal is included both in German and in English. The four concerti are Piano Concerto No. 1 in D Minor, Op. 15; Piano Concerto No. 2 in B-flat Major, Op. 83; Violin Concerto, Op. 77; and Concerto for Violin and Cello, Op. 102. With this single low-priced volume, students, composers, and musicologists may savor Brahms's development in the form (extending over three decades, 1845-87). Conductors and librarians will have a handy, inexpensive, complete collection, and musicians and music lovers will find a way to experience the inexhaustible variety of one of music's great masters., Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is "a delightful mixture of classical form clothed in the multicolored hues of German romanticism." (John Gillespie, Five Centuries of Keyboard Music ). Brahms's masterful synthesis of these disparate elements: his inventive rhythmic drive and happy fusion of poetry and sound workmanship are strikingly evidenced in the concerti. Although he wrote only four - two for piano, one for violin, and one double concerto for violin and cello - they have all become absolute staples of the concert repertoire. Because they are for different instruments, however, they have rarely been available together in one convenient volume - until now. This Dover edition reproduces all four concerti directly from Breitkopf and Hrtel's definitive Smtliche Werke, Volumes 5 and 5, c. 192027. The original editor's commentary by Hans Gal is included both in German and in English. The four concerti are Piano Concerto No. 1 in D Minor, Op. 15; Piano Concerto No. 2 in B-flat Major, Op. 83; Violin Concerto, Op. 77; and Concerto for Violin and Cello, Op. 102. With this single low-priced volume, students, composers, and musicologists may savor Brahms's development in the form (extending over three decades, 184587). Conductors and librarians will have a handy, inexpensive, complete collection, and musicians and music lovers will find a way to experience the inexhaustible variety of one of music's great masters.

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