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Romancing the Folk: Public Memory and American Roots Music (Cultural Studies of
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Item specifics
- Condition
- ISBN
- 9780807848623
About this product
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
080784862X
ISBN-13
9780807848623
eBay Product ID (ePID)
9038657664
Product Key Features
Book Title
Romancing the Folk : Public Memory and American Roots Music
Number of Pages
344 Pages
Language
English
Topic
History & Criticism, Genres & Styles / Folk & Traditional, General, Popular Culture, Genres & Styles / Pop Vocal
Publication Year
2000
Illustrator
Yes
Features
New Edition
Genre
Music, Social Science
Book Series
Cultural Studies of the United States Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
16.2 Oz
Item Length
9.3 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Trade
LCCN
99-054367
Reviews
An engaging analysis of the varied interpretations of roots or vernacular music in the 20th century. -- CHOICE, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. While copiously documented and thoroughly researched, this is no stuffy academic tract. Rather, Filene's engaging style makes this a book that will be eagerly devoured by anyone with an interest in the development of American popular music. -- Creative Loafing, A fascinating history of the shifting notions of what constitutes American folk music. . . . The folklorists, academics, bureaucrats and entrepreneurs who dominate [this] story are colorful characters, and they are joined by artists who inspire Filene to critical heights few historians approach. -- New York Times Book Review, Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song.New York Times Book Review, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. While copiously documented and thoroughly researched, this is no stuffy academic tract. Rather, Filene's engaging style makes this a book that will be eagerly devoured by anyone with an interest in the development of American popular music.-- Creative Loafing, Benjamin Filene's fascinating study of the emergence of the idea of an American 'roots music,' and the canonization of its iconic performers, is a lively and engaging contribution to this literature. . . . Appalachian scholars will enjoy discussions that range from the pioneering ballad collecting of Francis James Child and Cecil Sharp to the recent role of Archie Green in the creation of the Smithsonian's American Folklife Center and the NEH's Folk Arts Program. -- Journal of Appalachian Studies, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. Creative Loafing, "A fascinating history of the shifting notions of what constitutes American folk music. . . . The folklorists, academics, bureaucrats and entrepreneurs who dominate [this] story are colorful characters, and they are joined by artists who inspire Filene to critical heights few historians approach." -- New York Times Book Review, An engaging analysis of the varied interpretations of roots or vernacular music in the 20th century.-- Choice, A fascinating history of the shifting notions of what constitutes American folk music. . . . The folklorists, academics, bureaucrats and entrepreneurs who dominate [this] story are colorful characters, and they are joined by artists who inspire Filene to critical heights few historians approach.-- New York Times Book Review, "An engaging analysis of the varied interpretations of roots or vernacular music in the 20th century." -- CHOICE, A learned and lively look at the development of our national music. Much of the territory covered here is overlooked in books on folk music.-- Library Journal, An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context.Creative Loafing, "Benjamin Filene's fascinating study of the emergence of the idea of an American 'roots music,' and the canonization of its iconic performers, is a lively and engaging contribution to this literature. . . . Appalachian scholars will enjoy discussions that range from the pioneering ballad collecting of Francis James Child and Cecil Sharp to the recent role of Archie Green in the creation of the Smithsonian's American Folklife Center and the NEH's Folk Arts Program." -- Journal of Appalachian Studies, "An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. While copiously documented and thoroughly researched, this is no stuffy academic tract. Rather, Filene's engaging style makes this a book that will be eagerly devoured by anyone with an interest in the development of American popular music." -- Creative Loafing, A fascinating history of the shifting notions of what constitutes American folk music. New York Times Book Review, Romancing the Folk proves a fascinating history of an idea and a shape-shifting body of song. New York Times Book Review, A learned and lively look at the development of our national music. Much of the territory covered here is overlooked in books on folk music. -- Library Journal, "A learned and lively look at the development of our national music. Much of the territory covered here is overlooked in books on folk music." -- Library Journal "An important work that accurately places the idea of 'folk' and 'roots' music into a realistic context. While copiously documented and thoroughly researched, this is no stuffy academic tract. Rather, Filene's engaging style makes this a book that will be eagerly devoured by anyone with an interest in the development of American popular music." -- Creative Loafing "Benjamin Filene's fascinating study of the emergence of the idea of an American 'roots music, ' and the canonization of its iconic performers, is a lively and engaging contribution to this literature. . . . Appalachian scholars will enjoy discussions that range from the pioneering ballad collecting of Francis James Child and Cecil Sharp to the recent role of Archie Green in the creation of the Smithsonian's American Folklife Center and the NEH's Folk Arts Program." -- Journal of Appalachian Studies "A fascinating history of the shifting notions of what constitutes American folk music. . . . The folklorists, academics, bureaucrats and entrepreneurs who dominate [this] story are colorful characters, and they are joined by artists who inspire Filene to critical heights few historians approach." -- New York Times Book Review "An engaging analysis of the varied interpretations of roots or vernacular music in the 20th century." -- CHOICE "Filene's book is smart and careful and should gain a wide audience."--Journal of American History, Benjamin Filene's fascinating study of the emergence of the idea of an American 'roots music,' and the canonization of its iconic performers, is a lively and engaging contribution to this literature. . . . Appalachian scholars will enjoy discussions that range from the pioneering ballad collecting of Francis James Child and Cecil Sharp to the recent role of Archie Green in the creation of the Smithsonian's American Folklife Center and the NEH's Folk Arts Program.-- Journal of Appalachian Studies, "A learned and lively look at the development of our national music. Much of the territory covered here is overlooked in books on folk music." -- Library Journal
Dewey Edition
21
Dewey Decimal
781.62/13/00904
Edition Description
New Edition
Synopsis
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today., In American music, the notion of ""roots"" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century. Filene builds his story around a ......, In American music, the notion of roots has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century. Filene builds his story around a fascinating group of characters -- folklorists, record company executives, producers, radio programmers, and publicists -- who acted as middlemen between folk and popular culture. These cultural brokers discovered folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was authentic roots music. Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music -- from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today., In American music, the notion of ""roots"" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century. Filene builds his story around a fascinating group of characters--folklorists, record company executives, producers, radio programmers, and publicists--who acted as middlemen between folk and popular culture. These cultural brokers ""discovered"" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was ""authentic"" roots music. Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music--from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today. Benjamin Filene examines the competing visions of America's musical past--and the cultural middlemen who shaped these visions--that have vied for influence over the public imagination in this century. This book brings to light the relationship between folk or roots music and popular culture., In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied for influence over the public imagination in this century.Filene builds his story around a fascinating group of characters -- folklorists, record company executives, producers, radio programmers, and publicists -- who acted as middlemen between folk and popular culture. These cultural brokers "discovered" folk musicians, recorded them, and promoted them. In the process, Filene argues, they shaped mainstream audiences' understanding of what was "authentic" roots music.Filene moves beyond the usual boundaries of folk music to consider a wide range of performers who drew on or were drawn into the canon of American roots music -- from Lead Belly and Woody Guthrie, to Muddy Waters and Willie Dixon, to Pete Seeger and Bob Dylan. Challenging traditional accounts that would confine folk music revivalism to the 1930s and 1960s, he argues instead that the desire to preserve and popularize America's musical heritage is a powerful current that has run throughout this century's culture and continues to flow today.
LC Classification Number
99-054367 [ML]
Item description from the seller
Seller feedback (20,790)
- e***l (876)- Feedback left by buyer.Past monthVerified purchaseBook is in excellent condition. It did arrive a week and a half later than it was originally supposed to. I reached out to the seller which took a bit of time to receive a response. The book was a good value and it did ship in a bubble envelope which always helps with protecting the books from postal handling/damage.
- d***a (53)- Feedback left by buyer.Past 6 monthsVerified purchaseShipping took a little longer than it initially said but the book still arrived just as described in fantastic condition. I wasn't a huge fan of the packaging though, as it was just wrapped in a simple thin plastic sleeve with zero cushion or padding and I've had books completely destroyed because there was nothing to protect them so if possible I'd like to see the seller provide a safer package when shipping books. But thankfully mine wasn't damaged in transit!STATION HILL BLANCHOT READER, Blanchot, Maurice, 9781886449176 (#197410139171)
- k***k (7058)- Feedback left by buyer.Past 6 monthsVerified purchaseThis book appears new - excellent condition and is exactly as described. Wonderful quality and came at an excellent price. The seller packaged the book with care, shipped it quickly, and communicated effectively. This was an great buying experience. Don't hesitate purchasing from this seller. Wonderful.Operation Gladio: The Unholy Alliance between the Vatican, the CIA, and the Mafi (#197235655132)
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Seller feedback (20,790)
- e***l (876)- Feedback left by buyer.Past monthVerified purchaseBook is in excellent condition. It did arrive a week and a half later than it was originally supposed to. I reached out to the seller which took a bit of time to receive a response. The book was a good value and it did ship in a bubble envelope which always helps with protecting the books from postal handling/damage.
- d***a (53)- Feedback left by buyer.Past 6 monthsVerified purchaseShipping took a little longer than it initially said but the book still arrived just as described in fantastic condition. I wasn't a huge fan of the packaging though, as it was just wrapped in a simple thin plastic sleeve with zero cushion or padding and I've had books completely destroyed because there was nothing to protect them so if possible I'd like to see the seller provide a safer package when shipping books. But thankfully mine wasn't damaged in transit!STATION HILL BLANCHOT READER, Blanchot, Maurice, 9781886449176 (#197410139171)
- k***k (7058)- Feedback left by buyer.Past 6 monthsVerified purchaseThis book appears new - excellent condition and is exactly as described. Wonderful quality and came at an excellent price. The seller packaged the book with care, shipped it quickly, and communicated effectively. This was an great buying experience. Don't hesitate purchasing from this seller. Wonderful.Operation Gladio: The Unholy Alliance between the Vatican, the CIA, and the Mafi (#197235655132)