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Trauma and Visuality in Modernity by Lisa Saltzman (Dartmouth, 2006) PB

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Condition:
Good
Used copy with some notes and underlining. Light wear to the exterior.
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Last updated on Aug 13, 2025 11:44:19 MYTView all revisionsView all revisions

Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See all condition definitionsopens in a new window or tab
Seller Notes
“Used copy with some notes and underlining. Light wear to the exterior.”
Original Language
English
Narrative Type
Nonfiction
ISBN
9781584655169

About this product

Product Identifiers

Publisher
Dartmouth College
ISBN-10
158465516X
ISBN-13
9781584655169
eBay Product ID (ePID)
21038380163

Product Key Features

Book Title
Trauma and Visuality in Modernity
Number of Pages
304 Pages
Language
English
Publication Year
2006
Topic
Film / General, General, Popular Culture
Illustrator
Yes
Genre
Art, Performing Arts, Social Science
Author
Eric Rosenberg
Format
Perfect

Dimensions

Item Height
0.9 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
LCCN
2005-032123
Dewey Edition
22
Dewey Decimal
709.04001/9
Table Of Content
Acknowledgments * Introduction: Lisa Saltzman and Eric Rosenberg * IMAGE * Isabelle Wallace, Trauma as Representation: A Meditation on Manet and Johns * Eric Rosenberg, Walker Evans's Depression and the Trauma of Photography * MONUMENT * Erika Naginski, Canova's Penitent Magdalene: On Trauma's Prehistory * Lisa Saltzman, When Memory Speaks: A Monument Bears Witness * PERFORMANCE AND INSTALLATION * Judith F. Rodenbeck, Car Crash, 1960 * Anna C. Chave, "Normal Ills": On Embodiment, Victimization, and the Origins of Feminist Art * Gwendolyn DuBois Shaw, The "Rememory" of Slavery: Kara Walker's The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven * FILM * Cathy Caruth, Literature and the Enactment of Memory: (Duras, Resnais, Hiroshima mon amour) * Ernst van Alphen, The Revivifying Artist: Boltanski's Efforts to Close the Gap * HISTORIOGRAPHY * Mark Jarzombek, The Post-traumatic Turn and the Art of Walid Ra'ad and Krzysztof Wodiczko: From Theory to Trope to Beyond * Epilogue: Lisa Saltzman and Eric Rosenberg * List of Contributors * Index
Synopsis
This groundbreaking collection is among the first in the field of art history to explore the relation between the traumatic and the visual field in the modern period. Ranging across media and spanning from the origins of modernity to the present, the essays gathered here pursue trauma as a structuring yet elusive subject of representation. Examining the most revelatory instances of encounter between event and image, between history and visual form, this collection offers an account of the centrality of trauma's visualization to an understanding of modernity.
LC Classification Number
NX449.5.T73 2006

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