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Yinka Shonibare: Double Dutch Exhibition Catalog (Softcover) 1st Edition, 2004
US $44.99
ApproximatelyRM 190.35
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Condition:
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Paramus, New Jersey, United States
Delivery:
Estimated between Fri, 1 Aug and Thu, 7 Aug
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No returns accepted.
Coverage:
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eBay item number:203944781306
Item specifics
- Condition
- ISBN
- 9789056623678
About this product
Product Identifiers
Publisher
D.A.P./Distributed Art Publishers
ISBN-10
9056623672
ISBN-13
9789056623678
eBay Product ID (ePID)
30234983
Product Key Features
Book Title
Shonibare Yinka
Number of Pages
152 Pages
Language
English
Publication Year
2004
Topic
Individual Artists / General, Textile & Costume, Fashion & Style
Illustrator
Yes
Genre
Design, Art, Self-Help
Format
Trade Paperback
Dimensions
Item Weight
26.4 Oz
Item Length
10.5 in
Item Width
8.2 in
Additional Product Features
LCCN
2004-441550
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
709.2
Synopsis
Edited by Jaap Guldemond and Gabriele Mackert. Essays by Peter Bailey, Manthia Diawara, Achille Mbembe, Angela McRobbie, Onyema Offoedu-Okeke and John Picton. Interview with Jaap Guldemond and Gabriele Mackert., From the dandy with black skin to astronauts and aliens dressed in typical African colors and materials, Yinka Shonibare addresses issues of cultural identity in his artistic research with irony. The Nigerian-British artist seeks provocative and destabilizing elements to stimulate new reflections on our typical perspectives of the world. His often spectacular installations quote famous European paintings of the 18th and 19th centuries, with mannequins dressed in typically western fashions sewn from batik, a fabric considered typically African, but which actually has a complex origin involving Dutch colonialism. The result is an excellent metaphor for addressing the collision of cultures. In other works, Shonibare places himself at the center of photographic images dressed as Oscar Wilde's Dorian Gray. For Shonibare, the dandy is a leitmotiv: the person who states his individuality by challenging well-to-do society through his appearance. This publication is the first substantial book on Shonibare's work. Besides illustrating his major works from 1994 until now, the book features a number of in-depth essays on important aspects of his work that are always touched upon but never fleshed out, including the relevance of recent art history, the trade in Dutch Wax textiles, the history of the dandy, the sexuality and leisure of the aristocracy in Victorian times, and the rise of modernism in Nigeria. Additionally, Gracia Lebbink's thoughtful, playful book designed employs different colors of paper and binds the book in fabrics similar to those that Shonibare uses in his work.
LC Classification Number
N6797.S53A4 2004
Item description from the seller
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