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Soviet Cinematography
by Dmitry Shlapentokh; Vladimir Shlapentokh | PB | Good
US $23.37
ApproximatelyRM 98.39
Condition:
“Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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eBay item number:196135770877
Item specifics
- Condition
- Good
- Seller Notes
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780202304625
- Subject Area
- Political Science, Performing Arts, Social Science, Education, Business & Economics
- Publication Name
- Soviet Cinematography 1918-1991 : Ideological Conflict and Social Reality
- Publisher
- DE Gruyter Gmbh, Walter
- Item Length
- 9.1 in
- Subject
- Film / General, Political Ideologies / Communism, Post-Communism & Socialism, Sociology / General, General, Industries / Entertainment, Film / History & Criticism
- Publication Year
- 1993
- Series
- Communication and Social Order Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 14.1 Oz
- Item Width
- 5.9 in
- Number of Pages
- 293 Pages
About this product
Product Identifiers
Publisher
DE Gruyter Gmbh, Walter
ISBN-10
0202304620
ISBN-13
9780202304625
eBay Product ID (ePID)
98575
Product Key Features
Number of Pages
293 Pages
Publication Name
Soviet Cinematography 1918-1991 : Ideological Conflict and Social Reality
Language
English
Publication Year
1993
Subject
Film / General, Political Ideologies / Communism, Post-Communism & Socialism, Sociology / General, General, Industries / Entertainment, Film / History & Criticism
Type
Textbook
Subject Area
Political Science, Performing Arts, Social Science, Education, Business & Economics
Series
Communication and Social Order Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
14.1 Oz
Item Length
9.1 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
93-012309
Reviews
"Outstanding Title!... The Shlapentokhs proceed simply. They make a statement about the Soviet Union (or even post Soviet Union), a statement of sociology, politics, religion, or psychology (like xenophobia or crime); then they support the statement (or contradict it with exceptions) by examining a handful of movies. The result, however, is far from simple; it is a superlative, rich, advanced course in the conflict between the real Soviet world and "the fictional reality created by directors attempting to obey the injunctions of the ideological apparatus"... Oddly enough, all the good books on Soviet cinema are now 20 years old; this new book concentrates on these 20 years. The best parts concern Stalin. Whenever a movie is about Stalin, directly or indirectly, positively or negatively, the book becomes vital, dramatic, unique... [I]t is the most fascinating and up to date." --P. H. Stacy, Choice "In Soviet Cinematography, 1918-1991, Dmitry and Vladimir Shlapentokh set a specifically "sociological" agenda for themselves, to "examine the influence of official ideology, i.e., the ideology supported by the centralized state, on the presentation of social reality by Soviet cinema"... The book consists of a chronological cataloging of several hundred Soviet films." --Denise J. Youngblood, Slavic Review "Dmitry and Vladimir Shlapentokh... trace the history of Soviet cinema by noting the effects of various state-mandated ideologies on selected films." --Vance Kepley, Jr., The Russian Review
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.430947
Synopsis
With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.
LC Classification Number
PN1993.5.R9S436 1993
Item description from the seller
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