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FEMINISM, FILM, FASCISM, WOMEN'S AUTO/BIOGRAPHI
US $5.89
ApproximatelyRM 24.95
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
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US $2.89 (approx RM 12.24) USPS Media MailTM.
Located in: Garland, Texas, United States
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Estimated between Tue, 12 Aug and Fri, 15 Aug to 94104
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eBay item number:193661832299
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Binding
- Paperback
- Weight
- 1.37 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780292746978
About this product
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292746970
ISBN-13
9780292746978
eBay Product ID (ePID)
324843
Product Key Features
Number of Pages
208 Pages
Language
English
Publication Name
Feminism, Film, Fascism : Women's Auto/Biographical Film in Postwar Germany
Publication Year
1998
Subject
Film / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Emotions, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, Psychology
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
16 Oz
Item Length
8.8 in
Item Width
7.4 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
97-003076
Illustrated
Yes
Table Of Content
Acknowledgments Introduction: Seeing Through the "Postwar" Years 1. Kinder, Kirche, Kino : The Optical Politics of Marianne Rosenbaum's Peppermint Peace 2. The Mother-Daughter Plot in History: Helma Sanders-Brahms's Germany, Pale Mother 3. Self-Consuming Images: The Identity Politics of Jutta Brückner's Hunger Years 4. Retrieving History: Margarethe von Trotta's Marianne and Juliane 5. The Autoethnographic Aesthetic of Jeanine Meerapfel's Malou Epilogue Notes Filmography Bibliography Index
Synopsis
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns--namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages--Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Bruckner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past., German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns--namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages-Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past., An analysis of five important films that reflect back on the Third Reich through the experiences of women of different ages., German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn . In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns--namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages--Marianne Rosenbaum's Peppermint Peace , Helma Sanders-Brahms's Germany, Pale Mother , Jutta Brückner's Hunger Years , Margarethe von Trotta's Marianne and Juliane , and Jeanine Meerapfel's Malou . By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past.
LC Classification Number
PN1993.5.G3L56 1998
Item description from the seller
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Seller feedback (10,392)
- o***t (368)- Feedback left by buyer.Past monthVerified purchaseThank you
- m***m (2816)- Feedback left by buyer.Past 6 monthsVerified purchaseAbsolutely brilliant thank you
- *****- Feedback left by buyer.Past 6 monthsVerified purchaseGreat condition shipped fast. I would buy from again.