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CELLINI AND THE PRINCIPLES OF SCULPTURE by Michael W. Cole 2002 HCDJ Fine
US $80.00
ApproximatelyRM 342.26
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Condition:
“Fine aside from small stamp on rear interior pastedown.”
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Shipping:
US $9.72 (approx RM 41.58) USPS Media MailTM.
Located in: Weehawken, New Jersey, United States
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Estimated between Thu, 7 Aug and Mon, 11 Aug to 94104
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30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
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eBay item number:193289170146
Item specifics
- Condition
- Like New
- Seller Notes
- “Fine aside from small stamp on rear interior pastedown.”
- Narrative Type
- Nonfiction
- Topic
- Benvenuto Cellini, Renaissance, Sculpture
- Subjects
- Art & Culture
- Features
- Dust Jacket
- ISBN
- 9780521813211
About this product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521813212
ISBN-13
9780521813211
eBay Product ID (ePID)
1973855
Product Key Features
Number of Pages
262 Pages
Language
English
Publication Name
Cellini and the Principles of Sculpture
Publication Year
2002
Subject
Individual Artists / General, General, History / Renaissance
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
25.2 Oz
Item Length
10.2 in
Item Width
7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-043355
Dewey Edition
21
Reviews
'This book examines Cellini's art in a way which would have been appreciated in the Florentine High Renaissance, fusing the aspects of the artist as an intellectual and as an artificer and portraying him as one of the most influential and important artistic creators of his time.' Art Newspaper, "A valuable addition...to Renaissance studies as a whole. An engaging and thought-provoking addition to Cellini scholarship that provides a valuable counterpoint both to classic texts adn to more recent and forthcoming work; all Renaissance scholars should hope that this is not Cole's final word on this subject." CAA Reviews, 'This book examines Cellini’s art in a way which would have been appreciated in the Florentine High Renaissance, fusing the aspects of the artist as an intellectual and as an artificer and portraying him as one of the most influential and important artistic creators of his time.’Art Newspaper
Illustrated
Yes
Dewey Decimal
730/.92
Table Of Content
1. Salt, composition, and the goldsmith's intelligence; 2. Casting, blood and bronze; 3. The Ars Apollinea and the mastery of marble; 4. The design of virtue.
Synopsis
Benvenuto Cellini is an incomparable source on the nature of art-making in sixteenth century Italy. Michael Cole's book explores Cellini the artist who worked in gold, bronze, marble, and Cellini the author, whose treatises, discourses, poems and letters remain relevant to the broader study of artistic theory today., Benvenuto Cellini is an incomparable source on the nature of art-making in sixteenth century Italy. A practicing artist who worked in gold, bronze, marble, and on paper, he was also the author of treatises, discourses, poems and letters about his own work and the works of contemporaries. Collectively, these works show Cellini to be an authority on the reigning ideas about the virtues and properties of artists' materials, and a vivid witness to the poetically charged processes of transforming these materials into meaningful forms. In this study, Michael Cole analyzes the media in which Cellini worked as well as his theoretical writings. Examining how Cellini and those around him viewed the act of sculpture in the late Renaissance, he situates Cellini's views in the context of the history of art, science, poetics, and ethics. Cole demonstrates Cellini's continuing relevance to the broader study of artistic theory and practice in his time., Benvenuto Cellini is an incomparable source on the nature of artmaking in sixteenth century Italy. A practicing artist who worked in gold, bronze, marble, as well as on paper, he was also the author of treatises, discourses, poems and letters about his own work and the works of contemporaries. By examining how Cellini and those around him viewed the act of sculpture in the late Renaissance, Michael Cole demonstrates his continuing relevance to the broader study of artistic theory and practice in his time.
LC Classification Number
NB623.C28 C65 2002
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