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Picture 1 of 1
LE CORBUSIERS PAVILION FOR ZURICH: MODEL AND PROTOTYPE OF By Dumont Catherine
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Condition:
“Book is in Very Good Condition. Text will be unmarked. May show some signs of use or wear. Will ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:186394465522
Item specifics
- Condition
- Very Good
- Seller Notes
- ISBN-10
- 3037783052
- Publication Name
- Lars Muller
- Type
- Paperback
- ISBN
- 9783037783054
- Book Title
- Corbusier's Pavilion for Zurich : Model and Prototype of an Ideal Exhibition Space
- Publisher
- Lars Muller Publishers
- Item Length
- 9.5 in
- Publication Year
- 2013
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.8 in
- Genre
- Travel, Architecture
- Topic
- Buildings / Public, Commercial & Industrial, Museums, Tours, Points of Interest, Individual Architects & Firms / General, Buildings / Landmarks & Monuments
- Item Weight
- 24.9 Oz
- Item Width
- 6.8 in
- Number of Pages
- 224 Pages
About this product
Product Identifiers
Publisher
Lars Muller Publishers
ISBN-10
3037783052
ISBN-13
9783037783054
eBay Product ID (ePID)
117238197
Product Key Features
Book Title
Corbusier's Pavilion for Zurich : Model and Prototype of an Ideal Exhibition Space
Number of Pages
224 Pages
Language
English
Topic
Buildings / Public, Commercial & Industrial, Museums, Tours, Points of Interest, Individual Architects & Firms / General, Buildings / Landmarks & Monuments
Publication Year
2013
Illustrator
Yes
Genre
Travel, Architecture
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
24.9 Oz
Item Length
9.5 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2012-448795
TitleLeading
Le
Dewey Edition
23
Dewey Decimal
727.7092
Synopsis
Le Corbusier's Pavilion for Zurich uses numerous handwritten documents, drawings, and papers to trace the history of Le Corbusier's last built work. This dwelling, which is also a museum, was initiated by Zürich gallery owner Heidi Weber. With its abstract forms and colors, it represents an intellectual legacy of the famous architect in which the further development of architecture as envisaged by Le Corbusier is clearly legible. From the first ideas and sketches from 1949-50 to the opening in 1967 and byeond, the genesis of this exceptional building-the completion of which the architect did not live to see-is presented with lavish use of illustrations and documents. This book explains for the first time the significance of the pavilion, which differs strongly from the beton brut of Le Corbusier's late work, in terms of its position as one of the architect's central and forward-looking works., Le Corbusier's Pavilion for Zurich uses numerous handwritten documents, drawings, and papers to trace the history of Le Corbusier's last built work. This dwelling, which is also a museum, was initiated by Z rich gallery owner Heidi Weber. With its abstract forms and colors, it represents an intellectual legacy of the famous architect in which the further development of architecture as envisaged by Le Corbusier is clearly legible. From the first ideas and sketches from 1949-50 to the opening in 1967 and byeond, the genesis of this exceptional building-the completion of which the architect did not live to see-is presented with lavish use of illustrations and documents. This book explains for the first time the significance of the pavilion, which differs strongly from the beton brut of Le Corbusier's late work, in terms of its position as one of the architect's central and forward-looking works., Le Corbusier's Pavilion For Zurich uses numerous handwritten documents, drawings, and papers to trace the history of Le Corbusier's last built work. This dwelling, which is also a museum, was initiated by Zurich gallery owner Heidi Weber. With its abstract forms and colours, it represents an intellectual legacy of the famous architect in which the further development of architecture as envisaged by Le Corbusier is clearly legible. From the first ideas and sketches from and beyond, the genesis of this exceptional building - the completion of which the architect did not live to see - is presented with lavish use of illustrations and documents. This book explains for the first time the significance of the pavilion, which differs strongly from the beton brut of Le Corbusier's late work, in terms of its position as one of the architect's central and forward-looking works. AUTHOR: Catherine Dumont d'Ayot, born in France in 1965, studied architecture at the University of Geneva and at the Ecole polytechnique federale de Lausanne. She has been teaching and researching at the University of Geneva since 1995 and at the ETH Zurich since 2006. Tim Benton, born in Rome in 1945, was educated at Cambridge and the Courtauld Institute of Art, London. He taught for forty years at the Open University England and is currently professor emeritus in the history of art. ILLUSTRATIONS: 150
Text by
Dumont D'Ayot, Cathrine
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