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MARIE LAURENCIN: UNE FEMME INADAPTEE IN FEMINIST HISTORIES By Elizabeth Louise
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Condition:
“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ”... Read moreabout condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:186386804683
Item specifics
- Condition
- Like New
- Seller Notes
- ISBN-10
- 0754607151
- Book Title
- Marie Laurencin: Une femme inadaptee in Feminist Histories of Art
- ISBN
- 9780754607151
- Subject Area
- Art, Social Science
- Publication Name
- Marie Laurencin : Une Femme Inadaptée in Feminist Histories of Art
- Publisher
- Routledge
- Item Length
- 9.4 in
- Subject
- Feminism & Feminist Theory, Individual Artists / General
- Publication Year
- 2003
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 24.1 Oz
- Item Width
- 6.4 in
- Number of Pages
- 252 Pages
About this product
Product Identifiers
Publisher
Routledge
ISBN-10
0754607151
ISBN-13
9780754607151
eBay Product ID (ePID)
2327621
Product Key Features
Number of Pages
252 Pages
Publication Name
Marie Laurencin : Une Femme Inadaptée in Feminist Histories of Art
Language
English
Subject
Feminism & Feminist Theory, Individual Artists / General
Publication Year
2003
Type
Textbook
Subject Area
Art, Social Science
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
24.1 Oz
Item Length
9.4 in
Item Width
6.4 in
Additional Product Features
Intended Audience
College Audience
LCCN
2002-071145
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
759.4
Table Of Content
Contents: Preface; Introduction: Une femme inadaptée or the case of the unfit feminist; A Not So Straight Biography: Out of step: Social class and surrogate men, 1883-1923; Strangely estranged women: Gertrude Stein, Fernande Olivier and Marie Laurencin; Laurencin's insiders: Flora Groult, Louise Faure-Favier; The Laurencin self portraits: Subject, object, spectacle? Marie Laurencin's Men of the Avant-Garde: The monkey on her shoulder: Marie Laurencin's Guillaume Apollinaire; André Salmon in Marie Laurencin's court; Walking the line: Roger Allard's 1921 Laurencin monograph; Sexual politics: Marie Laurencin and Pablo Picasso; Marie Laurencin, the scandal of the Cubist House and André Mare; Laurencin's 'old men' of the Great War; Five in Hand: Sexual Politics and the Women of the Avant-Garde: Foiled again: The modern woman artist; Women of the fan: Berthe Morisot and Marie Laurencin; Feminist moments: The Great War, childless women, Mary Cassatt and Marie Laurencin; Illegitimate women: Suzanne Valadon and Marie Laurencin; The 'queerest' feminists the world has ever seen: Romaine Brooks and Marie Laurencin; Pictures That Could Not Have Been Painted: A Feminist Lesbian Reading: Not the modern woman? Laurencin's Amazons; Naming the Laurencin goddesses, 1904 -14; Sisters, playmates and lovers: Laurencin's unnamed goddesses; The Great War's 'new woman' and her lesbian gaze; The Marie Laurencin lesbian heroine; Laurencin's Final Say: The Artist as Ghostwriter: Postscript: Trespassing on the banks of feminist art; Les filles ambigües: Louise Bourgeois and Marie Laurencin; Unfit feminists I and II: Hannah Wilke and Marie Laurencin; Fan ladies and women warriors: Harmony Hammond and Marie Laurencin; Continuum: Julia Mystère; Bibliography; Index.
Synopsis
Marie Laurencin, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century, has attracted only sporadic attention by late-twentieth century art historians. Until now the substance of her art and the feminist issues that were entangled in her life have been narrowly examined or reduced by an author's chosen theoretical format; and the terms of her lesbian identity have been overlooked. In this case study of une femme inadaptée and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Kahn's thorough reading of the artist's visual and literary production ensures a comprehensive overview which addresses notable works and passages but also integrates those that are less well known. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work. Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century., Marie Laurencin, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century, has attracted only sporadic attention by late-twentieth century art historians. Until now the substance of her art and the feminist issues that were entangled in her life have been narrowly examined or reduced by an author's chosen theoretical format; and the terms of her lesbian identity have been overlooked.In this case study of une femme inadaptée and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Kahn's thorough reading of the artist's visual and literary production ensures a comprehensive overview which addresses notable works and passages but also integrates those that are less well known. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work.Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century., Until now Marie Laurencin has attracted only sporadic attention by late-twentieth century art historians, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century. The substance of her art and the feminist issues that were entangled in her life have been only narrowly examined, and the terms of her lesbian identity have been overlooked.In this case study of une femme inadaptée and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work.Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century., Marie Laurencin, in spite of the noticeable reputation she made in Paris in the first half of the twentieth century, has attracted only sporadic attention by late-twentieth century art historians. Until now the substance of her art and the feminist issues that were entangled in her life have been narrowly examined or reduced by an author's chosen theoretical format; and the terms of her lesbian identity have been overlooked. In this case study of une femme inadapt e and an unfit feminist, Elizabeth Kahn re-situates Laurencin in the on-going feminist debates that enrich the disciplines of art history, women's studies and literary criticism. Kahn's thorough reading of the artist's visual and literary production ensures a comprehensive overview which addresses notable works and passages but also integrates those that are less well known. Incorporating feminist theory and building on the work of contemporary feminist art historians, she avoids the heroics of conventional biography, instead allowing her subject to participate in the historical collective of women's work. Provocative and engagingly written, this fresh new study of Marie Laurencin's life and works also explores the multiple valences by which to connect the histories of, and find new connections between, women artists across the twentieth century.
LC Classification Number
N6853.L2946K34 2003
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