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Lizzy Mercier Descloux One For The Soul CD NEW 1986 Cool Brazilian Jazz 2016
US $9.99
ApproximatelyRM 42.21
or Best Offer
Condition:
Brand New
An item that has never been opened or removed from the manufacturer’s sealing. Item is in original shrink wrap.
More than 10 available2 sold
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Pickup:
Free local pickup from Vancouver, Washington, United States.
Shipping:
US $5.00 (approx RM 21.13) USPS Media MailTM.
Located in: Vancouver, Washington, United States
Delivery:
Estimated between Thu, 4 Sep and Mon, 8 Sep to 94104
Returns:
No returns accepted.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:185943634457
Item specifics
- Condition
- UPC
- 0826853013925
About this product
Product Identifiers
Record Label
Light in T.H.E. Attic, Liaa
UPC
0826853013925
eBay Product ID (ePID)
26046063723
Product Key Features
Release Year
2016
Format
CD
Genre
Rock
Artist
Lizzy Mercier Descloux
Release Title
One for the Soul
Dimensions
Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in
Additional Product Features
Number of Tracks
15
Number of Discs
1
Tracks
One for the Soul, Simply Beautiful, Fog Horn Blues, Women Don't Like Me, My Funny Valentine, Sound of Leblon Beach / Garden of Alas, God-Spell Me Wrong, Off Off Pleasure, Long Voodoo Ago, Queen of Overdub Kisses, A World Is a Whah, Scala Saga Samba, Love Streams, Let's Get It on (Bonus Track), Bravado (Bonus Track)
Notes
Digitally remastered and expanded edition of this album from the genre-hopping French artist. Includes six bonus tracks. The location, this time, was Rio De Janeiro, a suitably exotic location to follow their sojourn in Soweto given that Brazil had recently emerged from twenty years of dictatorship. But unlike Zulu Rock‘s broad appropriation of the local sound, One For The Soul borrows very liberally from Brazilian culture. The aim, says Adam Kidron, was to “reimagine the blues”, but Lizzy’s musical essence was in flux. “A Word Is A Wah" meshes reggae with her beloved accordion, “Women Don’t Like Me” is wild, new wave pop, and she even wanders into soul territory, with whispery lounge versions of Al Green’s “Simply Beautiful”. Most notable is the album’s foray into jazz, and the fact that Chet Baker, the master jazz trumpeter, blew his last on “Fog Horn Blues” and the sensuous “Off Off Pleasure”. Rio was to be the last great hurrah of Lizzy and Michel Esteban’s global recording adventures, and although work proceeded apace, the experience was often quite tense. So fraught were the sessions, it’s a miracle that such a cohesive, sparky record emerged. The record-buying public did not agree, and as the album crashed and burned, so did the relationship between its three heroes. Lizzy was, for the first time, about to take on the world alone – and there was but one album left in her.
Item description from the seller
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