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Lucio Fontana: Environments by Lucio Fontana in Hardcover (2019) - NEW

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eBay item number:185863394233
Last updated on Jul 02, 2024 00:16:33 MYTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Era
2010s
Narrative Type
Nonfiction
Original Language
English
ISBN
9788867492916

About this product

Product Identifiers

Publisher
Mousse Magazine AND Publishing
ISBN-10
8867492918
ISBN-13
9788867492916
eBay Product ID (ePID)
240975067

Product Key Features

Book Title
Lucio Fontana: Environments
Number of Pages
228 Pages
Language
English
Topic
Sculpture & Installation, Individual Artists / Monographs
Publication Year
2019
Illustrator
Yes
Genre
Art
Author
Lucio Fontana
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
43.3 Oz
Item Length
11.4 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
Synopsis
Lucio Fontana (1899-1968) radically transformed our conception of painting, sculpture and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s such as Arte Povera, conceptualism and land art. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas. Environments is focused on Fontana's pioneering work in installation art, with a selection of his seminal Ambienti spaziali (seen together for the first time). The Ambienti spaziali --rooms and corridors that the artist began to conceive and design in the late 1940s--were almost always destroyed once the exhibition was over; they are Fontana's most experimental yet least-known works, due to their ephemeral nature., An exploration of Lucio Fontana's ephemeral and experimental spatial environment installations Lucio Fontana (1899-1968) radically transformed our conception of painting, sculpture and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s such as Arte Povera, conceptualism and land art. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas. Environments is focused on Fontana's pioneering work in installation art, with a selection of his seminal Ambienti spaziali (seen together for the first time). The Ambienti spaziali --rooms and corridors that the artist began to conceive and design in the late 1940s--were almost always destroyed once the exhibition was over; they are Fontana's most experimental yet least-known works, due to their ephemeral nature., An exploration of Lucio Fontana's ephemeral and experimental spatial environment installations Lucio Fontana (1899-1968) radically transformed our conception of painting, sculpture and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s such as Arte Povera, conceptualism and land art. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas. Environmentsis focused on Fontana's pioneering work in installation art, with a selection of his seminal Ambienti spaziali (seen together for the first time). The Ambienti spaziali --rooms and corridors that the artist began to conceive and design in the late 1940s--were almost always destroyed once the exhibition was over; they are Fontana's most experimental yet least-known works, due to their ephemeral nature., Fontana (1899-1968) radically transformed the conception of painting, sculpture, and space by transcending the two-dimensionality of the canvas, foreshadowing many movements of the 1960s and '70s. As the founder of Spatialism, an artistic movement that emerged in Italy in the late '40s, Fontana did away with the distinction between painting and sculpture, with his famous slashes and holes in the canvas.
Text by
Ferriani, Barbara

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