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MARC BLITZSTEIN A BIO-BIBLIOGRAP HY BY LEONARD J. LEHRMAN 2005 1ST EDITION SIGNED
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Was US $1,000.00 (70% off)
Condition:
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:166796581793
Item specifics
- Condition
- ISBN
- 9780313300271
About this product
Product Identifiers
Publisher
Bloomsbury Publishing USA
ISBN-10
0313300275
ISBN-13
9780313300271
eBay Product ID (ePID)
48325806
Product Key Features
Number of Pages
656 Pages
Publication Name
Marc Blitzstein : a Bio-Bibliography
Language
English
Subject
Discography & Buyer's Guides, Reference, Composers & Musicians, General, Popular Culture
Publication Year
2005
Type
Textbook
Subject Area
Music, Social Science, Biography & Autobiography
Series
Bio-Bibliographies in Music Ser.
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
38.5 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2005-054635
Dewey Edition
22
Reviews
"[M]onumental….Lehrman's book opens with an interesting miscellany, including an exhaustive genealogy and an ample bibliography on Blitzstein's writer-wife, Eva Goldbeck. What follows is a chronological list of Blitzstein's works by genre; a chronological list of the composers texts to music by others; a list of articles written by Blitzstein; a list of general articles about Blitzstein written both during his lifetime and after his death; a large annotated section devoted to articles and documentation organized by work; a discography and a videography including archival artifacts; and an index of names and organizations. Researchers will want to know that the microfilm reel numbers refer to archival material that resides at the Blitzstein Collection at the Wisconsin State Historical Society in Madison….[t]he sheer magnitude of this accomplishment, a life in documents for which the term, bio-bibliography hardly suffices." - Howard Pollack, The Institute for Studies in American Music, '[M]onumental....Lehrmans book opens with an interesting miscellany, including an exhaustive genealogy and an ample bibliography on Blitzsteins writer-wife, Eva Goldbeck. What follows is a chronological list of Blitzsteins works by genre; a chronological list of the composers texts to music by others; a list of articles written by Blitzstein; a list of general articles about Blitzstein written both during his lifetime and after his death; a large annotated section devoted to articles and documentation organized by work; a discography and a videography including archival artifacts; and an index of names and organizations. Researchers will want to know that the microfilm reel numbers refer to archival material that resides at the Blitzstein Collection at the Wisconsin State Historical Society in Madison....[t]he sheer magnitude of this accomplishment, a life in documents for which the term, bio-bibliography hardly suffices.'-Institute for Studies In American Music Newsletter, "[M]onumental....Lehrman's book opens with an interesting miscellany, including an exhaustive genealogy and an ample bibliography on Blitzstein's writer-wife, Eva Goldbeck. What follows is a chronological list of Blitzstein's works by genre; a chronological list of the composers texts to music by others; a list of articles written by Blitzstein; a list of general articles about Blitzstein written both during his lifetime and after his death; a large annotated section devoted to articles and documentation organized by work; a discography and a videography including archival artifacts; and an index of names and organizations. Researchers will want to know that the microfilm reel numbers refer to archival material that resides at the Blitzstein Collection at the Wisconsin State Historical Society in Madison....[t]he sheer magnitude of this accomplishment, a life in documents for which the term, bio-bibliography hardly suffices."- Howard Pollack, The Institute for Studies in American Music, "[M]onumental....Lehrman's book opens with an interesting miscellany, including an exhaustive genealogy and an ample bibliography on Blitzstein's writer-wife, Eva Goldbeck. What follows is a chronological list of Blitzstein's works by genre; a chronological list of the composers texts to music by others; a list of articles written by Blitzstein; a list of general articles about Blitzstein written both during his lifetime and after his death; a large annotated section devoted to articles and documentation organized by work; a discography and a videography including archival artifacts; and an index of names and organizations. Researchers will want to know that the microfilm reel numbers refer to archival material that resides at the Blitzstein Collection at the Wisconsin State Historical Society in Madison....[t]he sheer magnitude of this accomplishment, a life in documents for which the term, bio-bibliography hardly suffices." -- Howard Pollack, The Institute for Studies in American Music, '[M]onumental....Lehrman's book opens with an interesting miscellany, including an exhaustive genealogy and an ample bibliography on Blitzstein's writer-wife, Eva Goldbeck. What follows is a chronological list of Blitzstein's works by genre; a chronological list of the composers texts to music by others; a list of articles written by Blitzstein; a list of general articles about Blitzstein written both during his lifetime and after his death; a large annotated section devoted to articles and documentation organized by work; a discography and a videography including archival artifacts; and an index of names and organizations. Researchers will want to know that the microfilm reel numbers refer to archival material that resides at the Blitzstein Collection at the Wisconsin State Historical Society in Madison....[t]he sheer magnitude of this accomplishment, a life in documents for which the term, bio-bibliography hardly suffices.'-Howard Pollack, The Institute for Studies in American Music
Series Volume Number
No. 99
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
016.78092
Table Of Content
Biography & Scope Note Abbreviations Used Genealogy Dedications, Teachers Important Performances of Others' Music Eva Goldbeck Chronological List of Musical Works (W1-W128) Works with Orchestra Chamber Music Works Piano Solo Works Film Scores Incidental Music Scores Ballets Music & Sketches for Revues Operas & Musicals Choral Works Vocal Quartets Vocal Trios Vocal Duets Vocal Solos Chronological List of Texts to Music by Others (T1-T18) Alphabetical List of Works, Including Alternate Titles List of Articles for Publication Written by Blitzstein (A1-A96) General Articles & Documents on Blitzstein During His Lifetime (G1-G65) Death Notices & Memorial Tributes to Blitzstein (M1-M44) General Articles & Documents on Blitzstein After His Death (P1-P63)
Synopsis
Marc Blitzstein was one of the 20th century's most important American composers, lyricists, and critics, often credited with having virtually invented opera in the American vernacular. Called the father of American opera in the vernacular by luminaries Aaron Copland and Leonard Bernstein, Blitzstein was a masterful pianist, coach, and accompanist, though, ironically, he made more money on the lyrics to one song--(Mack the Knife from his adaptation/translation of Bertolt Brecht's The Threepenny Opera) than on everything else he ever did. Blitzstein's brilliant career was cut short in 1964 when he died at the age of 58. Beginning with a family tree and a list of works by his wife, Eva Goldbeck, this book catalogs Blitzstein's own writings and writings about him, followed by detailed listings (chronological, alphabetical, and genre), analysis, a comprehensive performance history, and summaries of all known critiques of his 128 original musical works and 18 texts set to music of others. This is followed by a complete discography/videography (commercial and private), and an index of names and organizations. Shown in detail are the ways in which Blitzstein took music from his earlier works and developed it in later works, a process that Lehrman utilized in completing (with Bernstein's and the Estate's approval) 20 Blitzstein works for performance, including The Cradle Will Rock, I've Got the Tune, No for an Answer, Idiots First, and Sacco and Vanzetti, which Blitzstein believed would be his magnum opus. The book provides a unique and full perspective on the works of one of America's greatest composers--one who deserves to be better known., Marc Blitzstein was one of the 20th century's most important American composers, lyricists, and critics, often credited with having virtually invented opera in the American vernacular. Called the father of American opera in the vernacular by luminaries Aaron Copland and Leonard Bernstein, Blitzstein was a masterful pianist, coach, and accompanist, though, ironically, he made more money on the lyrics to one song-- Mack the Knife --than on everything else he ever did. Blitzstein's brilliant career was cut short in 1964 when he died at the age of 58. This book catalogs Blitzstein's own writings and writings about him, followed by detailed listings (chronological, alphabetical, and genre), analysis, a comprehensive performance history, and summaries of all known critiques of his 128 original musical works and 18 texts set to the music of others. Shown in detail are the ways in which Blitzstein took music from his earlier works and developed it in later works, a process that Lehrman utilized in completing (with Bernstein's and the Estate's approval) 20 Blitzstein works for performance, including The Cradle Will Rock , I've Got the Tune , No for an Answer , Idiots First , and Sacco and Vanzetti , which Blitzstein believed would be his magnum opus . The book provides a unique and full perspective on the works of one of America's greatest composers--one who deserves to be better known.
LC Classification Number
ML134
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