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The Dialectics of Art By John Molyneux Haymarket Books New

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN
9781642591316

About this product

Product Identifiers

Publisher
Haymarket Books
ISBN-10
1642591319
ISBN-13
9781642591316
eBay Product ID (ePID)
4038377233

Product Key Features

Book Title
Dialectics of Art
Number of Pages
300 Pages
Language
English
Topic
Criticism & Theory, European
Publication Year
2020
Genre
Art
Author
John Molyneux
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
15.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Reviews
'This book is written with less emphasis on resolving theoretical disputes in the seminar room and more on the role culture can play in activating and articulating political struggle.' - Marx & Philosophy Review of Books, 'The Dialectics of Art by John Molyneux is a reflection on the role played by the visual arts in Western society, from the Renaissance up to the present day, a reflection that is unapologetically Marxist in character. However, I urge the reader not to be turned off by that.' - Dublin Review of Books, 'For those interested in social change and the importance of art as a challenge to the alienating core of capitalism, The Dialectics of Art is an excellent place to start.' - New Politics Journal
TitleLeading
The
Dewey Edition
23
Dewey Decimal
701.03
Table Of Content
Introduction What is art? How we judge art Michelangelo and Human Emancipation Rembrandt and Revolution Picasso: Les Desmoiselles D'Avignon Sensation Exhibition Tracey Emin Short Reviews: Jackson Pollock; Andy Warhol; Francis Bacon; Rubens The Liberty Of Appearing: Yasser Alwan How Art Develops Dialectics of Modernism Conclusion
Synopsis
To the question of "what is art?", it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines -- from Michelangelo's Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock - are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all., In a sweeping survey of art from the dawn of the bourgeois era to the present day, John Molyneux explains what makes artistic production under capitalism unique, moving, and possibly revolutionary., In a sweeping survey of art from the dawn of the bourgeois era to the present day, John Molyneux explains what makes artistic production under capitalism unique, moving, and possibly revolutionary. To the question of 'what is art' -- it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines - from Michelangelo's Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock -- are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.

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