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Music for Sight Singing 7th Edition Ottman Rogers Spiral Student Textbook
US $14.87
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A book with obvious wear. May have some damage to the cover but integrity still intact. The binding may be slightly damaged but integrity is still intact. Possible writing in margins, possible underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text.
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Located in: Sulphur Springs, Texas, United States
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eBay item number:157299419417
Item specifics
- Condition
- Book Title
- Music for Sight Singing (7th Edition)
- ISBN-10
- 0131872346
- ISBN
- 9780131872349
About this product
Product Identifiers
Publisher
Prentice Hall PTR
ISBN-10
0131872346
ISBN-13
9780131872349
eBay Product ID (ePID)
52760495
Product Key Features
Number of Pages
448 Pages
Language
English
Publication Name
Music for Sight Singing
Publication Year
2006
Subject
General
Features
Revised
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
21 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Edition Number
7
Intended Audience
College Audience
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
784.9/4
Edition Description
Revised edition
Table Of Content
(R) indicates Rhythmic Reading exercises PREFACE In Memorium ACKNOWLEDGMENTS PART I MELODY: DIATONIC INTERVALS RHYTHM: DIVISION OF THE BEAT 1 RHYTHM: Simple meter; the Beat and Its Division into Two Parts RHYTHMIC READING Section 1 (R). The quarter note as the beat unit. Beat-note values and larger only Section 2 (R). The quarter note as the beat unit and its division. Dotted notes and tied notes Section 3 (R). Two-part drills Section 4 (R). Note values other than the quarter note as beat values Section 5 (R). Two-part drills 2 MELODY: Stepwise Melodies, Major Keys RHYTHM: Simple Time (Meter); the Beat and its Division into Two Parts Section 1. Major keys, treble clef, the quarter note as the beat unit. Key signatures with no more than three sharps or three flats Section 2. Bass clef Section 3. Other meter signatures Section 4. Duets Section 5. Structured Improvisation 3 MELODY: Intervals from the Tonic Triad, Major Keys RHYTHM: Simple Meters Section 1. Major keys, treble clef, intervals of the third, fourth, fifth, and octave from the tonic triad. The quarter note as the beat unit Section 2. Bass clef Section 3. Interval of the sixth; minor sixth, up to , and major sixth, up to , or descending Section 4. The half note and the eighth note as beat units Section 5. Duets Section 6. Key signatures with five, six, and seven sharps or flats Section 7. Structured Improvisation 4 MELODY: Intervals from the Tonic Triad, Major Keys RHYTHM: Compound Meters; the Beat and Its Division into Three Parts Section 1 (R). Rhythmic reading: The dotted quarter note as the beat unit. Single lines and two-part drills Section 2. Sight singing: Major keys, treble clef; the dotted quarter note as the beat unit Section 3. Sight singing: Bass clef Section 4 (R). Rhythmic reading: The dotted half note and the dotted eighth note as beat units, including two-part drills Section 5. Sight singing: The dotted half note and dotted eighth note as beat units Section 6. Duets Section 7. Structured Improvisation 5 MELODY: Minor Keys; Intervals from the Tonic Triad RHYTHM: Simple and Compound Meters Section 1. Simple meters Section 2. Compound meters Section 3. Duets Section 4. Structured Improvisation 6 MELODY: Intervals from the Dominant (V) Triad; Major and Minor Keys RHYTHM: Simple and Compound Meters Section 1. Intervals of the third from the V triad; major keys; simple meters Section 2. Intervals of the third from the V triad; minor keys; simple meters Section 3. Intervals of the fourth and fifth from the V triad; major and minor keys; simple meters Section 4. Interval of the sixth from the V triad; simple meters Section 5. Compound meters; various intervals from the V triad Section 6. Numerators of three, compound meters Section 7. Duets Section 8. Structured Improvisation 7 THE C CLEFS: Alto and Tenor Clefs Section 1. The alto clef Section 2. The tenor clef Section 3. Additional practice in the C clefs 8 MELODY: Further Use of Diatonic Intervals RHYTHM: Simple and Compound Meters Section 1. Single-line melodies Section 2. Duets Section 3. Structured Improvisation 9 MELODY: Intervals from the Dominant Seventh Chord (V7); Other Diatonic Intervals of the Seventh RHYTHM: Simple and Compound Meters Section 1. The complete dominant seventh chord Section 2. The interval of the minor seventh; up to or reverse Section 3. The interval of the tritone Section 4. Other uses of diatonic intervals of the seventh Section 5. Structured Improvisation PART II MELODY: DIATONIC INTERVALS RHYTHM: SUBDIVISION OF THE BEAT <P
Synopsis
For courses in Music Theory (a two-year sequence including sight singing and ear training) as well as separate Sight Singing courses. Using an abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music, Ottman provides the most engaging and comprehensive Sight Singing text on the market. Over fifty years ago, Robert W. Ottman set out to write a book that draws examples from the literature as opposed to being composed by the author. He proposed that students should work with "real" music as they study musical forms. The result was Music for Sight Singing. Not only is real music more enjoyable and interesting to sing than dry examples, but genuine repertoire naturally introduces a host of important musical considerations beyond pitch and rhythm (including dynamics, accents, articulations, slurs, repeat signs, and tempo markings). Several generations of teachers have also agreed that Ottman's ability to order his examples from the simple to the complex is another key to the book's long term success., Using an abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music, Ottman and Rogers provide the most engaging and comprehensive Sight Singing text on the market. Arranging its 21 chapters to study both pitch and rhythm, this book presents melodies and over 1200 exercises that enable readers to develop the skills of reading pitch, reading rhythm, and combining these two essential elements. The Seventh Edition contains 30% more rhythmic exercises and new structured improvisation exercises. For professionals with a career in music, music education, and composition.
LC Classification Number
MT870.O86
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