Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century

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Item specifics

Condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Dust jacket, black cloth boards and book's interior are in fine condition.”
Vintage
No
Genre
World literature & Classics
Era
2010s
Inscribed
No
Intended Audience
Adults
Topic
Poetry
Personalized
No
Country/Region of Manufacture
United States
Signed
No
Features
Dust Jacket
Narrative Type
Nonfiction
Ex Libris
No
Custom Bundle
No
Book Title
Brown Romantics: Poetry and Nationalism in the Global Nineteenth
ISBN
9781611488210
Category

About this product

Product Identifiers

Publisher
Bloomsbury Publishing USA
ISBN-10
1611488214
ISBN-13
9781611488210
eBay Product ID (ePID)
234211040

Product Key Features

Number of Pages
144 Pages
Publication Name
Brown Romantics : Poetry and Nationalism in the Global Nineteenth Century
Language
English
Publication Year
2017
Subject
European / General, General, Modern / 19th Century, Poetry
Type
Textbook
Author
Manu Samriti Chander
Subject Area
Literary Criticism
Series
Transits: Literature, Thought and Culture, 1650-1850 Ser.
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
13.2 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2017-009180
Reviews
Manu Samriti Chander's Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century is the kind of book that Romantic literary studies has needed for a very long time. Brown Romantics examines how and why poets from India, Guyana, and Australia placed themselves into conversation with authors now commonly associated with British Romanticism. The book significantly expands our understanding of canonical Romanticism's transnational reach and revises critical commonplaces that have defined Romantic aesthetics since the nineteenth century., This book has already provided a focal point for a new direction in Romantic studies, as emerging research clusters around its central claims. There's no doubt that it will be looked back upon as a landmark work in Romantic studies., Brown Romantics, a slim yet impressive volume, offers the capacious claim that we ought to rethink the scope of what we consider to be 'Romantic'. Manu Samriti Chander boldly reaches beyond the terrestrial and temporal limits that have been placed on this designation, recovering the voices of those poet-legislators that have existed beyond the early nineteenth-century British Isles., "Chander rightly calls for a focus on "how diverse readers read diverse texts" (100) that will reconstitute the Field of anglophone Romanticism ... This is the sharpest innovation of Brown Romantics and what it requires from the Field is more scholarship toward a new literary history of empire. Chander shows that he understands the stakes, when he disarmingly describes his vital book as a "casting call for nineteenth-century poets of color" (107). It is a call that forces the question "what does it really take to count as a Romantic?", In calling for more sustained attention to precisely the kinds of "marginal" writers that Brown Romanticstakes the time to read with care and sophistication, Chander points scholars of nineteenth-century literature toward a road less traveled, one that he shows by example--including an unusually personal "Afterword"--is worth traversing even, or perhaps especially, if we don't know in advance where it leads., In aspiring for "a more global Romanticism . . . that looks beyond the Anglophone world," Brown Romantics challenges readers to rethink the play of race, religion, class, and nation across the nineteenth-century globe., "Chander rightly calls for a focus on "how diverse readers read diverse texts" (100) that will reconstitute the Field of anglophone Romanticism ... This is the sharpest innovation of Brown Romantics and what it requires from the Field is more scholarship toward a new literary history of empire. Chander shows that he understands the stakes, when he disarmingly describes his vital book as a "casting call for nineteenth-century poets of color" (107). It is a call that forces the question "what does it really take to count as a Romantic?.... [I]f literature scholars are going to understand empire, we are going to need to identify new reading publics and then reconcile them with the voluminous data provided by historians. Identifying those new literary cultures is the ambition of Manu Samriti Chander's Brown Romantics and Nikki Hessell's Romantic Literature and the Colo-nised World, two of the most important recent books published in Romanticism studies. The authors and publics they introduce and the methods they use to organize them should have profound consequences for how Romanticism deFines itself as a Field., In calling for more sustained attention to precisely the kinds of "marginal" writers that Brown Romantics takes the time to read with care and sophistication, Chander points scholars of nineteenth-century literature toward a road less traveled, one that he shows by example--including an unusually personal "Afterword"--is worth traversing even, or perhaps especially, if we don't know in advance where it leads., ""Chander rightly calls for a focus on "how diverse readers read diverse texts" (100) that will reconstitute the ?eld of anglophone Romanticism ... This is the sharpest innovation of Brown Romantics and what it requires from the ?eld is more scholarship toward a new literary history of empire. Chander shows that he understands the stakes, when he disarmingly describes his vital book as a "casting call for nineteenth-century poets of color" (107). It is a call that forces the question "what does it really take to count as a Romantic?.... [I]f literature scholars are going to understand empire, we are going to need to identify new reading publics and then reconcile them with the voluminous data provided by historians. Identifying those new literary cultures is the ambition of Manu Samriti Chander's Brown Romantics and Nikki Hessell's Romantic Literature and the Colo-nised World, two of the most important recent books published in Romanticism studies. The authors and publics they introduce and the methods they use to organize them should have profound consequences for how Romanticism de?nes itself as a ?eld." -- European Romantic Review "Manu Samriti Chander's Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century is the kind of book that Romantic literary studies has needed for a very long time. Brown Romantics examines how and why poets from India, Guyana, and Australia placed themselves into conversation with authors now commonly associated with British Romanticism. The book significantly expands our understanding of canonical Romanticism's transnational reach and revises critical commonplaces that have defined Romantic aesthetics since the nineteenth century." -- Papers on Language and Literature "This book has already provided a focal point for a new direction in Romantic studies, as emerging research clusters around its central claims. There's no doubt that it will be looked back upon as a landmark work in Romantic studies." -- Romantic Circles "In calling for more sustained attention to precisely the kinds of "marginal" writers that Brown Romanticstakes the time to read with care and sophistication, Chander points scholars of nineteenth-century literature toward a road less traveled, one that he shows by example--including an unusually personal "Afterword"--is worth traversing even, or perhaps especially, if we don't know in advance where it leads." -- Nineteenth-Century Literature "In aspiring for "a more global Romanticism . . . that looks beyond the Anglophone world," Brown Romantics challenges readers to rethink the play of race, religion, class, and nation across the nineteenth-century globe." -- Victorian Studies "Brown Romantics, a slim yet impressive volume, offers the capacious claim that we ought to rethink the scope of what we consider to be 'Romantic'. Manu Samriti Chander boldly reaches beyond the terrestrial and temporal limits that have been placed on this designation, recovering the voices of those poet-legislators that have existed beyond the early nineteenth-century British Isles." -- Modern Language Review
Illustrated
Yes
Table Of Content
Introduction: World Literature and World Legislation Chapter 1: Henry Derozio and the Beginnings of Indian Romanticism Chapter 2: Christian Romanticism in British Guiana: The Case of Egbert Martin Chapter 3: Henry Lawson and the Legacy of Romantic Sympathy Chapter 4: Conclusion: Brown Keats Afterword Bibliography Index About the Author
Synopsis
Focusing on representative nineteenth-century poets from India, British Guiana, and Australia, Brown Romantics shows how English Romantic poetry and the national traditions that sprang up in the colonies redefined each other and should therefore be read as the single formation, global Romanticism., Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century proceeds from the conviction that it is high time for the academy in general and scholars of European Romanticism to acknowledge the extensive international impact of Romantic poetry. Chander demonstrates the importance of Romantic notions of authorship to such poets as Henry Derozio (India), Egbert Martin (Guyana), and Henry Lawson (Australia), using the work of these poets, each prominent in the national cultural of his own country, to explain the crucial role that the Romantic myth of the poet qua legislator plays in the development of nationalist movements across the globe. The first study of its kind, Brown Romantics examines how each of these authors develop poetic means of negotiating such key issues as colonialism, immigration, race, and ethnicity.
LC Classification Number
PR590

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