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Picture 1 of 5
Final Cut Pro 3 And The Art of Filmmaking GUIDE BOOK Also Final Cut 2 TEAGUE
US $8.49
ApproximatelyRM 35.70
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Mill Valley, California, United States
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Estimated between Fri, 27 Sep and Mon, 30 Sep to 43230
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30 days return. Buyer pays for return shipping.
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Read item description or contact seller for details. See all detailsSee all details on coverage
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eBay item number:153422819335
Item specifics
- Condition
- Subject
- Image Processing, General, Film / Direction & Production
- Product Type
- Final Cut Pro
- ISBN
- 9780782140279
- EAN
- 9780782140279
- Subject Area
- Computers, Performing Arts
- Publication Name
- Final Cut Pro 3 and the Art of Filmmaking
- Publisher
- Wiley & Sons, Incorporated, John
- Item Length
- 10.1 in
- Publication Year
- 2002
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 1.1 in
- Item Weight
- 42.3 Oz
- Item Width
- 8 in
- Number of Pages
- 396 Pages
About this product
Product Identifiers
Publisher
Wiley & Sons, Incorporated, John
ISBN-10
0782140270
ISBN-13
9780782140279
eBay Product ID (ePID)
2157094
Product Key Features
Number of Pages
396 Pages
Publication Name
Final Cut Pro 3 and the Art of Filmmaking
Language
English
Publication Year
2002
Subject
Image Processing, General, Film / Direction & Production
Type
Textbook
Subject Area
Computers, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
42.3 Oz
Item Length
10.1 in
Item Width
8 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-096977
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
778.59/3
Table Of Content
Introduction.Chapter 1: Setting Up Your Workstation.Chapter 2: Getting to Know Final Cut Pro.Chapter 3: Creating Your Footage.PART I: GETTING STARTED.Chapter 4: Logging Your Footage.Chapter 5: Capturing Your Footage.Chapter 6: Working with Your Footage.Chapter 7: Making Smart Edits.PART II: EDITING YOUR MOVIE.Chapter 8: Adding Transitions.Chapter 9: Adding Titles.Chapter 10: Using Image Control.PART III: ADDING SPECIAL EFFECTS.Chapter 11: Manipulating the Image.Chapter 12: Compositing and Alpha Channels.Chapter 13: Using Motion Controls.PART IV: ADVANCED TECHNIQUES.Chapter 14: Creating Special Effects with Key Filters.Chapter 15: Fine-Tuning Your Audio.Chapter 16: Making Keyframes Work for You.Chapter 17: Putting It All Together.Chapter 18: Managing Your Media.PART V: AFTER THE EDITING IS DONE.Chapter 19: Printing to Video.Chapter 20: Compressing Video for the Web, CDs, and DVDs.Glossary of Terms.Index.Using the Companion DVD.
Synopsis
Despite its intuitive interface, Final Cut Pro still requires craft and skill to use well. This full-color book provides a hands-on, practical guide to all aspects of editing digital movies, with an emphasis on the kinds of tips, tricks, and shortcuts that professionals rely on to quickly get polished results. Whether you're approaching Final Cut Pro from a purely creative angle or from a more corporate perspective, whether you're an emerging filmmaker or a seasoned vet, Final Cut Pro 3 and the Art of Filmmaking gives you the insights, information, and lessons you'll need to complete tasks that film editors face every day, including: * Mastering Final Cut Pro 3's new features, such as Voice Over, G4 Real-Time Effects, Titling, QuickView, and more * Editing clips in the Timeline * Creating transitions and complex overlays * Adding effects, applying filters, and working with text * Using the audio tools to make your film sound as good as it looks * Readying your finished product for delivery--on the Internet, on videotape, or on DVD In the course of this book, you'll learn shooting tips designed to help later in the edit room. You'll also hear from experienced editors on how they're using Final Cut Pro to capture the immediacy that digital video makes possible, while meeting the twin challenges of limited time and money. Note: Our thanks to Ken Stone for his Final Cut Pro expertise. Ken has an excellent online resource center that we encourage you to visit: www.kenstone.net/fcp_homepage/fcp_homepage_index.html
LC Classification Number
TR899.T43 2002
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