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Culture Wars in Brazil: The First Vargas Regime, 1930-1945 by Williams, Daryle

by Williams, Daryle | PB | VeryGood
US $10.88
ApproximatelyRM 45.94
Condition:
Very Good
Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ... Read moreabout condition
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eBay item number:146466835169
Last updated on May 14, 2025 11:54:01 MYTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780822327196

About this product

Product Identifiers

Publisher
Duke University Press
ISBN-10
0822327198
ISBN-13
9780822327196
eBay Product ID (ePID)
1871011

Product Key Features

Book Title
Culture Wars in Brazil : the First Vargas Regime, 1930-1945
Number of Pages
372 Pages
Language
English
Publication Year
2001
Topic
Popular Culture, World / Caribbean & Latin American, Political, Latin America / South America
Illustrator
Yes
Genre
Political Science, Social Science, Biography & Autobiography, History
Author
Daryle Williams
Format
Trade Paperback

Dimensions

Item Weight
24.2 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

LCCN
2001-018769
Reviews
"A solid and memorable contribution to our understanding of Brazilian twentieth-century history."-Robert M. Levine, author of Brazilian Legacies, "All the contradictory qualities of Vargas's quasi-fascist state-activist, interventionist, nationalist, and conservative-vibrate in this fine analysis of cultural policy in the 1930s and 1940s."-Dain Borges, University of California, San Diego, "All the contradictory qualities of Vargas's quasi-fascist state--activist, interventionist, nationalist, and conservative--vibrate in this fine analysis of cultural policy in the 1930s and 1940s."--Dain Borges, University of California, San Diego, "A solid and memorable contribution to our understanding of Brazilian twentieth-century history."--Robert M. Levine, author of Brazilian Legacies, “ Culture Wars in Brazil is an important book. Historians tend to neglect Brazilian cultural history, and Williams takes a significant step toward diminishing that lacunae. His writing is dramatic and exciting, his research wide-ranging and creative, and he has uncovered much fascinating material.�-Jeffrey Lesser, author of Negotiating National Identity: Immigrants, Minorities, and the Struggle for Ethnicity in Brazil, " Culture Wars in Brazil is an important book. Historians tend to neglect Brazilian cultural history, and Williams takes a significant step toward diminishing that lacunae. His writing is dramatic and exciting, his research wide-ranging and creative, and he has uncovered much fascinating material."--Jeffrey Lesser, author of Negotiating National Identity: Immigrants, Minorities, and the Struggle for Ethnicity in Brazil "A solid and memorable contribution to our understanding of Brazilian twentieth-century history."--Robert M. Levine, author of Brazilian Legacies "All the contradictory qualities of Vargas's quasi-fascist state--activist, interventionist, nationalist, and conservative--vibrate in this fine analysis of cultural policy in the 1930s and 1940s."--Dain Borges, University of California, San Diego, " Culture Wars in Brazil is an important book. Historians tend to neglect Brazilian cultural history, and Williams takes a significant step toward diminishing that lacunae. His writing is dramatic and exciting, his research wide-ranging and creative, and he has uncovered much fascinating material."-Jeffrey Lesser, author of Negotiating National Identity: Immigrants, Minorities, and the Struggle for Ethnicity in Brazil, " Culture Wars in Brazil is an important book. Historians tend to neglect Brazilian cultural history, and Williams takes a significant step toward diminishing that lacunae. His writing is dramatic and exciting, his research wide-ranging and creative, and he has uncovered much fascinating material."--Jeffrey Lesser, author of Negotiating National Identity: Immigrants, Minorities, and the Struggle for Ethnicity in Brazil, “A solid and memorable contribution to our understanding of Brazilian twentieth-century history.�-Robert M. Levine, author of Brazilian Legacies
Dewey Edition
21
Dewey Decimal
981.06/1
Table Of Content
List of Figures List of Tables List of Abreviations Preface Acknowledgments Introduction: The Brazilian Republic, Getúlio Vargas, and Metaphors of War 1. The Vargas Era and Culture Wars 2. Cultural Management before 1930 3. Cultural Management, 1930-1945 4. "The Identity Documents of the Brazilian Nation": The National Historical and Artistic Patrimony 5. Museums and Memory 6. Expositions and "Export Quality" Culture Conclusion: Who Won? National Culture Under Vargas Biographical Appendix Notes Bibliography Index
Synopsis
In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getúlio Vargas (1883-1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state's power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade --an intangible yet highly coveted sense of Brazilianness. Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil's cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today's generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era. By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies., Examines the role of the Brazilian government as it attempted to create a national culture during a fifteen-year period of authoritarian cultural management., In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Get lio Vargas (1883-1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state's power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade --an intangible yet highly coveted sense of Brazilianness. Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil's cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today's generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era. By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.
LC Classification Number
F2538

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