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You Had To Be There: Rape Jokes by Place
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You Had To Be There: Rape Jokes by Place
US $17.99US $17.99
Jul 24, 22:35Jul 24, 22:35
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You Had To Be There: Rape Jokes by Place

US $17.99
ApproximatelyRM 75.87
Condition:
Good
Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!
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    Last updated on Jul 23, 2025 05:43:01 MYTView all revisionsView all revisions

    Item specifics

    Condition
    Good
    A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See all condition definitionsopens in a new window or tab
    Seller Notes
    “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
    Narrative Type
    Lawyers & Criminals
    Type
    Book
    Intended Audience
    N/A
    ISBN
    9781576879009

    About this product

    Product Identifiers

    Publisher
    powerHouse Books
    ISBN-10
    1576879003
    ISBN-13
    9781576879009
    eBay Product ID (ePID)
    21038618659

    Product Key Features

    Book Title
    You Had to Be there : Rape Jokes
    Number of Pages
    160 Pages
    Language
    English
    Publication Year
    2018
    Topic
    Women Authors, American / General, Topic / Adult, Sexual Abuse & Harassment
    Genre
    Literary Criticism, Poetry, Social Science, Humor
    Author
    Vanessa Place
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.3 in
    Item Weight
    5.3 Oz
    Item Length
    7 in
    Item Width
    4.5 in

    Additional Product Features

    Intended Audience
    Trade
    Dewey Edition
    23
    Reviews
    Place's work is risky from start to finish, but that is what makes it so uneasily potent. To Place, 'Art is violence, to time and space and representation.' Her work fully lends itself to risk because it thrives on tension through antagonism and the brutal honesty of the darker shades life has to offer., As seen in and heard on: Observer, Mean and Sober podcast, Red Scare podcast, The Guardian, The Baffler, Art in America, Slate, It may appear as an act of madness to publish a collection of jokes on rape in our politically correct atmosphere-but it is the right gesture, theoretically and politically. Vanessa Place demonstrates that, when things get really horrible, every gesture of dignity and compassion is a fake, and only humor works: humor which does not make fun of its object but bears witness to our impotence and failure to deal with the object appropriately. No wonder the best films about holocaust are also comedies; sometimes, laughter is the most authentic way to admit our perplexity and despair. Place's book is for everyone who has the courage to confront the horror of rape without the easy escape into comfortable compassion., "Contains 71 uninterrupted pages of the most f***ed-up jokes I've ever read in my life...Still, I found myself laughing at them. Despite the fact that there's nothing funny about rape, I couldn't stop the smile from spreading across my face when I read one-liners like "Apparently 'Ramadan' isn't to be taken literally. Sorry, Dan!" Though I was ashamed anything that terrible could make me chuckle, laughing at the idea of rape felt kind of good. It was likeIwas somehow bigger than it.", The jokes' lack of specificity makes them infectious, like they could morph to fit and then violate in any context, given the chance. The platform Place offers the predatory makes no move toward absolution, for audience, performer, offender, or language; her project is instead a symbolic, over-the-top stand-in for something we haven't yet figured out how to do in the public arena: let offenses exist, unelided, while we figure out what to do about them., "It may appear as an act of madness to publish a collection of jokes on rape in our politically correct atmosphere--but it is the right gesture, theoretically and politically. Vanessa Place demonstrates that, when things get really horrible, every gesture of dignity and compassion is a fake, and only humor works: humor which does not make fun of its object but bears witness to our impotence and failure to deal with the object appropriately. No wonder the best films about holocaust are also comedies; sometimes, laughter is the most authentic way to admit our perplexity and despair. Place's book is for everyone who has the courage to confront the horror of rape without the easy escape into comfortable compassion." -- Slavoj Zizek "Place's work is risky from start to finish, but that is what makes it so uneasily potent. To Place, 'Art is violence, to time and space and representation.' Her work fully lends itself to risk because it thrives on tension through antagonism and the brutal honesty of the darker shades life has to offer." -- The Michigan Daily (U of M newspaper) As seen in and heard on : Observer, Mean and Sober podcast, Red Scare podcast, The Guardian, "It may appear as an act of madness to publish a collection of jokes on rape in our politically correct atmosphere--but it is the right gesture, theoretically and politically. Vanessa Place demonstrates that, when things get really horrible, every gesture of dignity and compassion is a fake, and only humor works: humor which does not make fun of its object but bears witness to our impotence and failure to deal with the object appropriately. No wonder the best films about holocaust are also comedies; sometimes, laughter is the most authentic way to admit our perplexity and despair. Place's book is for everyone who has the courage to confront the horror of rape without the easy escape into comfortable compassion." --Slavoj Zizek, "It may appear as an act of madness to publish a collection of jokes on rape in our politically correct atmosphere--but it is the right gesture, theoretically and politically. Vanessa Place demonstrates that, when things get really horrible, every gesture of dignity and compassion is a fake, and only humor works: humor which does not make fun of its object but bears witness to our impotence and failure to deal with the object appropriately. No wonder the best films about holocaust are also comedies; sometimes, laughter is the most authentic way to admit our perplexity and despair. Place's book is for everyone who has the courage to confront the horror of rape without the easy escape into comfortable compassion." --Slavoj Zizek As seen in : Observer, Though there's an undeniable logic and rhythm to the unspooling, readers will be forced to navigate Place's text (or 'verbal artifact') on their own, without the usual niceties. This is a potentially terrifying, but perhaps also liberating, experience for readers coddled by the gatekeepers of predictability - one that makes commentary of either stripe seem perfunctory, a failure 'to go beyond either condemnation or understanding.'
    Afterword by
    Stagg, Natasha
    Dewey Decimal
    709.2
    Synopsis
    This book is a text version of Vanessa Place's live performance I've got this really great joke about rape , in which the artist recites rape jokes for 45 minutes to a seated audience in a gallery or from a small stage. It is art performance, not stand-up comedy. Many of the jokes were found on various English-language websites dedicated to offensive jokes; inspired by the form, the artist has improved some of the jokes, and written some herself. Place decided to work with rape jokes several years ago after various stand-up comics were rebuked for making rape jokes on and off-stage; the gist of the criticism being that "rape jokes aren't funny," and that a rape joke is tantamount to rape itself. But Place's work shows that rape jokes aren't rape and considers why rape jokes are very funny to very many people, and persistently so. As Place's audiences have demonstrated, those categorically opposed to the rape joke tend to find themselves straining not to laugh, just as those usually thrilled by such raw language find themselves gagging on something hard to swallow. What then proves interesting is the activation of art: the when, why, and how of such charged words being funny, being revolting, becoming sound, fashioning suspense. To experience this language that hangs thick in the air; to see where, in each of us, the joke sticks., This book is a text version of Vanessa Place's live performance I've got this really great joke about rape, in which the artist recites rape jokes for 45 minutes to a seated audience in a gallery or from a small stage. It is art performance, not stand-up comedy. Many of the jokes were found on various English-language websites dedicated to offensive jokes; inspired by the form, the artist has improved some of the jokes, and written some herself. Place decided to work with rape jokes several years ago after various stand-up comics were rebuked for making rape jokes on and off-stage; the gist of the criticism being that rape jokes aren't funny, and that a rape joke is tantamount to rape itself. But Place's work shows that rape jokes aren't rape and considers why rape jokes are very funny to very many people, and persistently so. As Place's audiences have demonstrated, those categorically opposed to the rape joke tend to find themselves straining not to laugh, just as those usually thrilled by such raw language find themselves gagging on something hard to swallow. What then proves interesting is the activation of art: the when, why, and how of such charged words being funny, being revolting, becoming sound, fashioning suspense. To experience this language that hangs thick in the air; to see where, in each of us, the joke sticks., This book is a text version of Vanessa Place's live performance 'I've got this really great joke about rape', in which the artist recites rape jokes for 45 minutes to a seated audience in a gallery or from a small stage. It is art performance, not stand-up comedy. Place decided to work with rape jokes several years ago after various stand-up comics were rebuked for making rape jokes on and off-stage; the gist of the criticism being that 'rape jokes aren't funny,' and that a rape joke is tantamount to rape itself. But Place's work shows that rape jokes aren't rape and considers why rape jokes are very funny to very many people, and persistently so.
    LC Classification Number
    N6537

    Item description from the seller

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