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Indonesian Cinema: National Culture on Screen by Heider, Karl G.

by Heider, Karl G. | PB | Good
Condition:
Good
Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ... Read moreabout condition
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Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See all condition definitionsopens in a new window or tab
Seller Notes
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780824813673
Subject Area
Performing Arts, History
Publication Name
Indonesian Cinema : National Culture on Screen
Publisher
University of Hawaii Press
Item Length
9.2 in
Subject
Asia / Southeast Asia, Film / History & Criticism
Publication Year
1991
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.5 in
Author
Karl G. Heider
Item Weight
9 Oz
Item Width
6 in
Number of Pages
160 Pages

About this product

Product Identifiers

Publisher
University of Hawaii Press
ISBN-10
0824813677
ISBN-13
9780824813673
eBay Product ID (ePID)
703395

Product Key Features

Number of Pages
160 Pages
Language
English
Publication Name
Indonesian Cinema : National Culture on Screen
Subject
Asia / Southeast Asia, Film / History & Criticism
Publication Year
1991
Type
Textbook
Subject Area
Performing Arts, History
Author
Karl G. Heider
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Weight
9 Oz
Item Length
9.2 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
90-025844
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
791.43/09598
Synopsis
A film-goer accustomed to the typical Hollywood movie plot would feel uneasy watching an Indonesian movie. Contrary to expectations, good guys do not win, bad guys are not punished, and individuals do not reach a new self-awareness. Instead, by the end of the movie order is restored, bad guys are converted, and families are reunited. Like American movies, Indonesian films reflect the understandings and concerns of the culture and era in which they are made. Thus Indonesian preoccupations with order and harmony, national unity, and modernization motivate the plots of many films. Cinema has not traditionally been within the purview of anthropologists, but Karl Heider demonstrates how Indonesian movies are profoundly Indonesian. Produced in the national language by Indonesians from various regions, the films are intended for audiences across the diverse archipelago. Heider examines these films to identify pan-Indonesian cultural patterns and to show how these cultural principles shape the movies and, sometimes, how the movies influence the culture. This anthropological approach to Indonesian film opens up the medium of Asian cinema to a new group of scholars. "Indonesian Cinema" should be of interest to social scientists, Asianists, film scholars, and anyone concerned with the role of popular culture in developing countries., A film-goer accustomed to the typical Hollywood movie plot would feel uneasy watching an Indonesian movie. Contrary to expectations, good guys do not win, bad guys are not punished, and individuals do not reach a new self-awareness. Instead, by the end of the movie order is restored, bad guys are converted, and families are reunited. Like American movies, Indonesian films reflect the understandings and concerns of the culture and era in which they are made. Thus Indonesian preoccupations with order and harmony, national unity, and modernization motivate the plots of many films. Cinema has not traditionally been within the purview of anthropologists, but Karl Heider demonstrates how Indonesian movies are profoundly Indonesian. Produced in the national language by Indonesians from various regions, the films are intended for audiences across the diverse archipelago. Heider examines these films to identify pan-Indonesian cultural patterns and to show how these cultural principles shape the movies and, sometimes, how the movies influence the culture. This anthropological approach to Indonesian film opens up the medium of Asian cinema to a new group of scholars. Indonesian Cinema should be of interest to social scientists, Asianists, film scholars, and anyone concerned with the role of popular culture in developing countries.
LC Classification Number
PN1993.5.I84H45 1991
ebay_catalog_id
4
Copyright Date
1991

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