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DIMITRI VECCHI / SARASTRO QUARTETT ADOLF BUSCH: STRING QUARTET OP. 57; FLUTE QUI
US $24.72
ApproximatelyRM 104.45
Condition:
Brand New
An item that has never been opened or removed from the manufacturer’s sealing. Item is in original shrink wrap.
2 available
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Shipping:
Free Standard Shipping.
Located in: North Carolina, United States
Delivery:
Estimated between Tue, 9 Sep and Mon, 15 Sep to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:145220987598
Item specifics
- Condition
- UPC
- 0761203527922
About this product
Product Identifiers
Record Label
CPO, CPO Records
UPC
0761203527922
eBay Product ID (ePID)
10053075772
Product Key Features
Format
CD
Release Year
2022
Genre
Classical Artists
Artist
Busch / Sarastro Quartett / Vecchi
Release Title
String Quartets / Flute Quintet
Dimensions
Item Height
0.40 in
Item Weight
0.19 lb
Item Length
5.69 in
Item Width
4.92 in
Additional Product Features
Number of Discs
1
Country/Region of Manufacture
United States
Notes
Adolf Busch was not only the leading German violinist during the years between the two World Wars but also wrote more than a hundred works in his capacity as a composer. Following our first recording success with Busch's trios and piano quartet, the Sarastro Quartet now turns to more chamber music by this congenial composer. Busch's point of departure in harmonic language was formed by the music of Max Reger, a friend of his during the last years of the Weiden composer's life. At the same time, Busch's lifelong occupation with chamber music from Mozart to Brahms endowed his oeuvre with a measure of clarity and balance. Some of his themes and motifs might also have been found in Dvorák; his mysteriously scurrying sound pictures, in Mendelssohn; his rhythmic impulses, in Beethoven; and his lyrical intensity, in Schubert or Schumann. The fact that Busch was not afraid to engage in stylistic retrospection meant that critics from his times leveled charges against him, but what in the end has remained decisive is the manner in which Busch formed his syntheses, his sovereign command of the musical material, and the personal expressive depth and humor in his music.
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- -***- (320)- Feedback left by buyer.Past monthVerified purchasePostage was quick and it arrived safe and undamaged All went very well and it’s greatly appreciated
- t***t (247)- Feedback left by buyer.Past monthVerified purchaseExcellently packaged & just as described! Thanks !
- l***l (1220)- Feedback left by buyer.Past monthVerified purchasethanks
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Seller feedback (810,242)
- -***- (320)- Feedback left by buyer.Past monthVerified purchasePostage was quick and it arrived safe and undamaged All went very well and it’s greatly appreciated
- t***t (247)- Feedback left by buyer.Past monthVerified purchaseExcellently packaged & just as described! Thanks !
- l***l (1220)- Feedback left by buyer.Past monthVerified purchasethanks