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Beyond the Visible : The Art of Odilon Redon by Jodi Hauptman (2005, HC) : VG+
US $59.49
ApproximatelyRM 250.96
Was US $69.99 (15% off)
Condition:
“light rubbing wear on dust cover--a fine, clean copy!”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
Sale ends in: 4d 19h
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Pickup:
Free local pickup from Brooklyn, New York, United States.
Shipping:
US $7.99 (approx RM 33.71) USPS Media MailTM.
Located in: Brooklyn, New York, United States
Delivery:
Estimated between Fri, 29 Aug and Wed, 3 Sep to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:127208700104
Item specifics
- Condition
- Very Good
- Seller Notes
- “light rubbing wear on dust cover--a fine, clean copy!”
- Signed
- No
- Narrative Type
- Nonfiction
- Features
- Laminated
- Country/Region of Manufacture
- Italy
- ISBN
- 9780870707025
About this product
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
0870707027
ISBN-13
9780870707025
eBay Product ID (ePID)
46837027
Product Key Features
Book Title
Beyond the Visible : the Art of Odilon Redon
Number of Pages
256 Pages
Language
English
Publication Year
2005
Topic
Individual Artists / General, General
Illustrator
Yes
Genre
Art, Photography
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
10.6 Oz
Item Length
11 in
Item Width
9.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-907866
Dewey Edition
22
Dewey Decimal
982.062092
Synopsis
In 2000, the Ian Woodner Family Collection gifted more than 100 paintings, pastels, watercolors, drawings, prints, and illustrated books to The Museum of Modern Art, substantially augmenting its Redon holdings. The Museum is now the site of the most significant body of the artistB's work outside France. Highlighting the Woodner gift, this book presents the full range of Redon's accomplishments--the mysterious charcoal "noirs," the luminous pastels, the richly textured canvases, the collaborations with literary figures, the experiments with printmaking techniques--through the MuseumB's now unparalleled collection of the artistB's work. With essays on the artist's career, his key role in a European literary milieu, his achievements in printmaking, and his unique methods and materials, as well as a catalogue of MoMA's entire collection of his work, the book showcases Redon's varied oeuvre and illuminate the hold his particular kind of modernism has had on both twentieth-century and contemporary artists, from the aesthetics and thematics of Surrealism to the preoccupation with visualizing an interior world in the art of today., Caught between description and dream, the felt and the imagined, French artist Odilon Redon, whose career bridged the nineteenth and twentieth centuries, transformed the natural world into nightmarish visions and bizarre fantasies. Closely allied with the Symbolist movement, Redon offered his own interpretations of literary, biblical and mythological subjects; created a universe of strange hybrid creatures; and presented landscape in a singular way: we see grinning disembodied teeth, smiling spiders, melancholic floating faces, winged chariots, unfamiliar plant life, and velvety black or colored swirls of atmosphere. With a recent gift from the Ian Woodner family, The Museum of Modern Art is now the site of the most significant body of the artist's work outside France, and this book will showcase the full range of Redon's varied oeuvre--charcoal "noirs," luminous pastels, richly textured canvases, literary collaborations and experiments in printmaking--and will illuminate the hold his particular kind of Modernism has had on both twentieth-century and contemporary artists., The intimate ache of the dollhouse and its air of manipulation (whether as consumer object or ventriloquist dummy) has become as identified with pioneering photographer Laurie Simmons as with Ibsen. She's even designed a dollhouse for a toy company. Mostly self-taught, Simmons began working in the 1970s, when color and staged tableaux were first being explored by fine-art photographers, and has since mapped out a world all her own, mostly in haunting miniature. Over the past 25 years, her photographs have conveyed a bittersweet nostalgia for the 1950s, while edgily commenting on consumerism, feminism and other fraught aspects of postwar American culture. The accompanying essay by Kate Linker concentrates on selected series that cover the artist's entire oeuvre--from "Ventriloquism," "Walking Objects" and "Lying Objects" to the 1997 "Self-Portraits" and "Cafe of the Inner Mind"--and so is essential reading for any photography aficionado.
LC Classification Number
N6853.R38
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Seller feedback (18,819)
- b***8 (657)- Feedback left by buyer.Past monthVerified purchaseItem just as described and shipped quickly.
- t***b (3206)- Feedback left by buyer.Past monthVerified purchaseThank you.
- e***y (265)- Feedback left by buyer.Past monthVerified purchaseWell packaged. All happy. Would buy from vendor again