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Theatrocracy: Greek Drama, Cognition, - Paperback, by Meineck Peter - Very Good
US $29.81
ApproximatelyRM 124.89
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eBay item number:127109874147
Item specifics
- Condition
- Book Title
- Theatrocracy: Greek Drama, Cognition, and the Imperative for Thea
- ISBN
- 9780367594930
About this product
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0367594935
ISBN-13
9780367594930
eBay Product ID (ePID)
11064601107
Product Key Features
Number of Pages
240 Pages
Language
English
Publication Name
Theatrocracy
Publication Year
2020
Subject
Ancient / General, Linguistics / General
Type
Textbook
Subject Area
Language Arts & Disciplines, History
Format
Trade Paperback
Dimensions
Item Weight
12.8 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Dewey Edition
23
Reviews
This is an exhilarating read, a feast of ideas for those with an interest in the cognitive and emotional power of Greek drama. Peter Meineck uses his knowledge as an academic in Classics, his experience as a theatre practitioner and recent research into the cognitive sciences to rethink Aristotle's Poetics with an eye to the experience of Greek drama in performance. It is only appropriate that a book grounded in cognitive theory, cultural neuroscience and psychology should change the way you think and feel about Greek drama. Peter Meineck's book succeeds on both accounts. As a researcher it has changed the way I think about the emotional and cognitive experience of Greek tragedy in ancient and modern performances; as a lecturer it will influence the way I teach Greek drama to my students in years to come. - Sarah Miles, Durham University, UK
Illustrated
Yes
Dewey Decimal
882.0109
Table Of Content
Acknowledgements Introduction: theatre as mimetic mind Chapter 1 - Muthos : probability and prediction Chapter 2 - Opsis : the embodied view Chapter 3 - Ethos : the character of catharsis Chapter 4 - Dianoia : intention in action Chapter 5 - Melos : music and the mind Chapter 6 - Lexis : somatosensory words Chapter 7 - Metabasis : dissociation and democracy Index
Synopsis
Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how anci, Thearrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It lakes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and otters a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences - the study of human emotions - including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama - its ability to produce a theatrocracy, a "government" of spectators and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre. Book jacket., Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences - the study of human emotions - including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama - its ability to produce a theatrocracy, a "government" of spectators - and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre., Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences - the study of human emotions - including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama - its ability to produce a theatrocracy , a "government" of spectators - and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre.
LC Classification Number
PA3131.M393 2020
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