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History of Russian Music : From Kamarinskaya to Babi Yar by Francis Maes (2001,
US $1.99
ApproximatelyRM 8.42
Condition:
“unread, with light wear”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:126869778193
Item specifics
- Condition
- Very Good
- Seller Notes
- “unread, with light wear”
- ISBN
- 9780520218154
About this product
Product Identifiers
Publisher
University of California Press
ISBN-10
0520218159
ISBN-13
9780520218154
eBay Product ID (ePID)
1898864
Product Key Features
Book Title
History of Russian Music : from Kamarinskaya to Babi Yar
Number of Pages
441 Pages
Language
English
Topic
History & Criticism, Genres & Styles / Opera, Ethnic
Publication Year
2001
Illustrator
Yes
Genre
Music
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
30.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
2001-027617
TitleLeading
A
Table Of Content
Preface 1. Introduction: Natasha's Dance, or Musical Nationalism 2. "I'm Finished with Russian Music": Mikhail Glinka 3. "There's Petersburg for You!" The Birth Pangs of a Music Culture 4. The Clash of Ideas: The Quest for the Essence of the New Russian Music 5. The Theory in Practice: Musical Creation 6. "Truth in the Realm of the Pseudo": Russian Opera 7. "The Musician-Human": Pyotr Chaikovsky 8. "A Musical Conscience": Rimsky-Korsakov and the Belyayev Circle 9. Imagination and Renewal: The Silver Age 10. "The Cleansing Catastrophe": Early Soviet Music 11. Russia's Loss: The Musical Emigration 12. From Yezhovshchina to Zhdanovshchina 13. "Prokofiev Must Return to Us" 14. "The Secret Diary of a Nation": The Works of Shostakovich Notes Bibliography Index
Synopsis
Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research., Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature,A History of Russian Musicsummarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.
LC Classification Number
2001027617
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