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Dare Say : Poems Tod Marshall (Trade Paperback) University of Georgia Press *VG*
US $14.68
ApproximatelyRM 62.05
Condition:
“The item pictured is the actual item you will receive. Soft cover which has been read but is not ”... Read moreabout condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Shipping:
Free USPS Media MailTM.
Located in: Berkeley, California, United States
Delivery:
Estimated between Sat, 9 Aug and Tue, 12 Aug to 94104
Returns:
14 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
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(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:125102520136
Item specifics
- Condition
- Very Good
- Seller Notes
- Book Title
- Dare Say : Poems by Tod Marshall
- Book Series
- Contemporary Poetry Series
- ISBN
- 9780820324623
- EAN
- 9780820324623
About this product
Product Identifiers
Publisher
University of Georgia Press
ISBN-10
0820324620
ISBN-13
9780820324623
eBay Product ID (ePID)
2347303
Product Key Features
Publication Year
2002
Number of Pages
88 Pages
Language
English
Publication Name
Dare Say
Type
Textbook
Format
Trade Paperback
Additional Product Features
Intended Audience
Scholarly & Professional
Synopsis
From the mud of our formation (""Choir"") to the dust of our dying (""After Kandinsky""), Tod Marshall's poems lyrically obsess over how the broken and violated can envision and speak a heaven of which we know., Eschewing irony for direct statement, the poems in Tod Marshall's first collection imagistically, musically, and passionately articulate a faith in human transcendence. From the mud of our formation (""Choir"") to the dust of our dying (""After Kandinsky""), Marshall's poems lyrically obsess over how the broken and violated can envision and speak a heaven of which we know. Three long poems that shape the book are formative in this process. From the structured order of Bach's Goldberg Variations looming behind the opening poem, ""Eclipse,"" to the clash of pagan beauty and traditional religiosity in ""Botticelli,"" to the Modernist meditation on form in ""After Kandinsky,"" the poems return again and again to the idea of anagogical presence and how it can be best rendered in art to inspire a celebratory ethos of living. Are the violent and shocking events those that best slap us awake? Or are the gentle, lyrical moments the times when we are most keenly aware of the song that is Being? In ""After Kandinsky,"" Marshall writes, like syntax; a poem that fixes the body; to a specific place; of points and lines and planes; and yet moves to celestial music; a poem that tests; on fifteenth century truth; ""Whoever loves much does much""; a poem that glistens with an unmatched insistence; a poem that arrives on time; and demands everyone; nail it to the wall. Here is a declaration that one could nail manifesto-like to the wall as a pronouncement of the need to see, to hear, and to speak of divinity in the world.
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