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Horror in Architecture Joshua Comaroff, Uncanny Spaces Grotesque Design 2013 Pbk

US $87.77
ApproximatelyRM 372.43
Condition:
Very Good
2013, ORO Editions. Paperback. Clean, unmarked interior. Softcover lies flat, appears unread. Clean ... Read moreabout condition
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Located in: Chapel Hill, North Carolina, United States
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eBay item number:116474568537
Last updated on Apr 17, 2025 03:03:46 MYTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“2013, ORO Editions. Paperback. Clean, unmarked interior. Softcover lies flat, appears unread. Clean ...
Type
art book, design book, horror architecture, eerie buildings, unca
Features
paperback, 2013, OOP, Scarce, or HTF
Personalize
No
Original Language
English
Vintage
No
Narrative Type
Nonfiction
Book Series
Horror Architecture
Era
varies
Intended Audience
Adults
Signed
No
Personalized
No
Inscribed
No
Edition
First Edition
Ex Libris
No
ISBN
9781935935902

About this product

Product Identifiers

Publisher
Oro Editions
ISBN-10
1935935909
ISBN-13
9781935935902
eBay Product ID (ePID)
143806804

Product Key Features

Book Title
Horror in Architecture
Number of Pages
220 Pages
Language
English
Topic
General, Criticism, History / General
Publication Year
2013
Illustrator
Yes
Genre
Architecture
Author
Joshua Comaroff, Ong Ker-Shing
Format
Trade Paperback

Dimensions

Item Weight
0.4 Oz
Item Length
5 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-304264
Dewey Edition
23
Dewey Decimal
720
Synopsis
This book looks at the idea of horror and its analogues in architecture. In these, normal compositions become strange: extra limbs appear, holes open where they should not, individual objects are doubled or split or perversely occupied. Horrifying buildings re-imagine the possibilities of architectural language, shifting from "natural" norms to other, more rarified and exciting options. They define an expanded aesthetic field that marries the beautiful to the distorted, the awkward, the manifold, and the indeterminate. Through an investigation that spans architecture, art, and literature, this study attempts to limn horror through its shifting forms and meanings--and to identify a creeping unease that lingers at the very center of the modern project. Horror in Architecture may be read as a history, as an alternative to the classic canon of good and proper architectures, or as a sly manifesto for a new approach to the design of the built environment--one that encourages a playful subversion of conventions. To capture horror in its many guises, this study is presented in a unique manner. An introductory essay describes the historical fortunes of horror as an aesthetic idea, from Roman antiquity to the pulp films and novels of the present day. Here, the authors put forward a new theory of the sources and effects of horror in modernity and in modern architecture. This is followed by case studies of types, linking classic tropes (clones, doubles, hybrids, psychotics and the undead) to specific buildings and architectural theories. As a result, this study may be read in a number of different ways. It may be consumed as a total theoretical piece, from start to finish. Or it may provide a series of more casual readings, in the various chapters and brief presentations of the works of individual architects or buildings., Unconventional look at individual architectural designs to highlight the hidden horror aspects within each one., This book looks at the idea of horror and its analogues in architecture. In these, normal compositions become strange: extra limbs appear, holes open where they should not, individual objects are doubled or split or perversely occupied. Horrifying buildings re-imagine the possibilities of architectural language, shifting from 'natural' norms to other, more rarefied and exciting options. They define an expanded aesthetic field that marries the beautiful to the distorted, the awkward, the manifold, and the indeterminate. Through an investigation that spans architecture art, and literature, this study attempts to limn horror through its shifting forms and meanings and to identify a creeping unease that lingers at the very center of the modern project. Horror in Architecture may be read as a history, as an alternative to the classic canon of good and proper architectures, or as a sly manifesto for a new approach to the design of the built environment one that encourages a playful subversion of conventions. To capture horror in its many guises, this study is presented in a unique manner. An introductory essay describes the historical fortunes of horror as an aesthetic idea, from Roman antiquity to the pulp films and novels of the present day. Here, the authors put forward a new theory of the sources and effects of horror in modernity and in modern architecture. This is followed by case studies of types, linking classic tropes (clones, doubles, hybrids, psychotics and the undead) to specific buildings and architectural theories. As a result, this study may be read in a number of different ways. It may be consumed as a total theoretical piece, from start to finish. Or it may provide a series of more casual readings, in the various chapters and brief presentations of the works of individual architects or buildings. 200 photographs & 50 illustrations
LC Classification Number
NA2542

Item description from the seller

About this seller

PorterMonkeyBooks

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Joined Nov 2017
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PorterMonkey Books is a small, family-owned business. We specialize in out-of-print, scarce and hard-to-find titles. As owner, I have always viewed myself as a kind of book "matchmaker" and take great ...
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