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Sanna Kannisto: Fieldwork

US $119.77
ApproximatelyRM 507.44
Condition:
Very Good
Lovely copy. Text is clean and unmarked, no highlighting, underlining or writing. Hard Cover. Dust ... Read moreabout condition
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Located in: Chapel Hill, North Carolina, United States
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eBay item number:116008309655
Last updated on Mar 07, 2025 06:34:36 MYTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Lovely copy. Text is clean and unmarked, no highlighting, underlining or writing. Hard Cover. Dust ...
Narrative Type
Nonfiction
ISBN
9781597111522

About this product

Product Identifiers

Publisher
Aperture Foundation, Incorporated
ISBN-10
159711152X
ISBN-13
9781597111522
eBay Product ID (ePID)
11038518312

Product Key Features

Book Title
Sanna Kannisto: Fieldwork
Number of Pages
104 Pages
Language
English
Topic
Central America, Ecosystems & Habitats / Forests & Rainforests, General, Subjects & Themes / Plants & Animals, Individual Photographers / Artists' Books
Publication Year
2011
Illustrator
Yes
Genre
Nature, Travel, Photography
Author
Steve Baker
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
37.8 Oz
Item Length
11.5 in
Item Width
11.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-941720
Dewey Edition
22
Photographed by
Kannisto, Sanna
Dewey Decimal
779.9578734092
Synopsis
The first major monograph by Finnish rising star Sanna Kannisto, Fieldwork explores the dialectics of nature and culture in both artistic and scientific contexts. Since 1997, Kannisto has spent several months per year living alongside biologists in the rainforests of Latin America. Adopting elements of her companions' scientific methods, she developed her own form of visual research, extending her depictions of flora and fauna beyond the confines of the natural sciences. Breaking away from the conventions of nature photography, which typically presents specimens in isolation, devoid of context, Kannisto's work addresses the acts of staging and image-making. Her photographs, with their biologically correct titles, show not only the breathtaking beauty of her subjects, but also the tools used to achieve the would-be image at center--the black drapes, the difficult "neutral" lighting rig, the seamless white background. Signs of a scientifically standardized process--graph paper, rulers, test field markings--are also included, appearing strangely out of place amid the lush green foliage of the rainforest. The core practice of the natural sciences is to collect in order to inspect closely in the service of public knowledge. Collecting implies taming and containment, traits shared to some extent by photography. With her gentle humor, Kannisto recognizes and utilizes the constraints of science and art alike, investigating the concept of truth in photography to challenge how we view and "know" the natural world., Distributed by Thames & Hudson Ltd. C/O Littlehampton Book Services Faraday Close, Durrington Worthing West Sussex BN13 3RB UK Customer Service T +44 (0) 1903 828 501 E enquiries@lbsltd.co.uk Direct Order Desk T +44 (0) 1903 828 511 F +44 (0) 1903 828 801/02 E orders@lbsltd.co.uk Sanna Kannisto Fieldwork Fieldwork, the first major monograph by Finnish rising star Sanna Kannisto, explores the dialectics of nature and culture in both artistic and scientific contexts. Since 1997, Kannisto has spent several months per year living alongside biologists in the rainforests of Latin America. Adopting elements of her companions' scientific methods, she developed her own form of visual research, extending her depictions of flora and fauna beyond the confines of the natural sciences. Breaking away from the conventions of nature photography, which typically presents specimens in isolation, devoid of context, Kannisto's work addresses the acts of staging and image-making. Her photographs, with their biologically correct titles, show not only the breathtaking beauty of her subjects, but also the tools used to achieve the would-be image at center-the black drapes, the difficult "neutral" lighting rig, the seamless white background. Signs of a scientifically standardized process-graph paper, rulers, test field markings-are also included, appearing strangely out of place amid the lush green foliage of the rainforest. The core practice of the natural sciences is to collect in order to inspect closely in the service of public knowledge. Collecting implies taming and containment, traits shared to some extent by photography. With her gentle humor, Kannisto recognizes and utilizes the constraints of science and art alike, investigating the concept of truth in photography to challenge how we view and "know" the natural world., The first major monograph by Finnish rising star Sanna Kannisto, "Fieldwork" explores the dialectics of nature and culture in both artistic and scientific contexts. Since 1997, Kannisto has spent several months per year living alongside biologists in the rainforests of Latin America. Adopting elements of her companions' scientific methods, she developed her own form of visual research, extending her depictions of flora and fauna beyond the confines of the natural sciences. Breaking away from the conventions of nature photography, which typically presents specimens in isolation, devoid of context, Kannisto's work addresses the acts of staging and image-making. Her photographs, with their biologically correct titles, show not only the breathtaking beauty of her subjects, but also the tools used to achieve the would-be image at center--the black drapes, the difficult "neutral" lighting rig, the seamless white background. Signs of a scientifically standardized process--graph paper, rulers, test field markings--are also included, appearing strangely out of place amid the lush green foliage of the rainforest. The core practice of the natural sciences is to collect in order to inspect closely in the service of public knowledge. Collecting implies taming and containment, traits shared to some extent by photography. With her gentle humor, Kannisto recognizes and utilizes the constraints of science and art alike, investigating the concept of truth in photography to challenge how we view and "know" the natural world.
LC Classification Number
TR655

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PorterMonkeyBooks

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PorterMonkey Books is a small, family-owned business. We specialize in out-of-print, scarce and hard-to-find titles. As owner, I have always viewed myself as a kind of book "matchmaker" and take great ...
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